Gresham Music collection, Purcell autograph MS
A volume of autograph music by Henry Purcell.
1690s.-
CgW 69 ff. 19v-22r
Copy of the song, in a musical setting by Purcell.
First published in London, 1693. Summers, I, 155-255 (p. 186). Davis, pp. 28-113 (pp. 59-60). McKenzie, I, 47-48. Musical settings of the two songs by Henry Purcell published in [first song] Joyful Cuckoldom (London, [1690s]), and [second song] Orpheus Britannicus (London, 1698). The Works of Henry Purcell, XXI (London, 1917), pp. 33-4, 35-7.
William Congreve, The Old Batchelour, II, ix, lines 5-17. Song ('Thus to a ripe, consenting Maid') -
CgW 57 ff. 44v-6
Copy, in a musical setting by Purcell.
First published in London, 1694. Summers, II, 1-77 (p. 31). Davis, pp. 117-204 (p. 143). McKenzie, I, 125-245 (p. 157). Musical setting by Henry Purcell published in Thesaurus Musicus (London, 1694). The Works of Henry Purcell, XVI (London, 1906), pp. 207-10.
William Congreve, The Double-Dealer, II, iii, lines 29-41. Song ('Cynthia frowns when'er I Woo her') -
CgW 38 ff. 69v-70
Copy, in a musical setting by Purcell, here beginning
Ah! what pains, what rackin thoughts
.First published in Works (London, 1710). Summers, IV, 75. Dobrée, p. 241 and McKenzie, II, 322 (both as Absence and beginning
Ah! what Pains, what racking Thoughts he proves
). Musical setting by Henry Purcell published in The Works of Henry Purcell, XXV (London, 1928), pp. 4-8.William Congreve, Song ('Alas! what Pains, what racking Thoughts he proves')