Mary Astell

1666–1731

Introduction

Mary Astell, an enlightened and influential promotor of women's education, consigned nearly all her formal writings to print. The one exception is the carefully prepared Collection of Poems which she presented to Archbishop Sancroft in 1689 (AsM 1-18), and which includes poems of earlier composition, some bearing dates in 1683, 1684, and 1687/8. The existence of autograph letters by her (in the Bodleian, in the library of the Duke of Beaufort at Badminton, and elsewhere, not given separate entries below) serves, by way of comparison, to confirm the likelihood that the semi-calligraphic script in this manuscript is hers.

Verse

Affliction ('I know not what Affliction means')

Unpublished.

*AsM 1 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Ambition ('What's that with such vigour fills my breast?')

Unpublished.

*AsM 2 c.1689
Autograph

Autograph, the poem dated 30 March 1684.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

'Awake my lute, daughters of Musick come'

Unpublished.

*AsM 3 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

The Complaint ('What dost thou mean my God (said I')

Unpublished.

*AsM 4 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Death ('It was a glorious and a cheerful day')

Unpublished.

*AsM 5 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Enemies ('I love you whom the World calls Enemies')

Unpublished.

AsM 6 c.1689

Autograph, the poem dated 18 March 1683.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Heaven ('In a poor simple Girl 'tis a bold flight')

Unpublished.

*AsM 7 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

*AsM 8 c.1689
Autograph

Autograph of a shorter version of the poem.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Hell ('With a short line, and scanty wit')

Unpublished.

*AsM 9 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

In emulation of Mr Cowley's Poem called the Motto page 1 ('What shall i do? not to be Rich or great')

Unpublished.

*AsM 10 c.1689
Autograph

Autograph, the poem dated 7 January 1687/8.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

The Invitation ('Come Muse, and leave those wings that soar')

Unpublished.

*AsM 11 c.1689
Autograph

Autograph, the poem made June 28 1683.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Judgement ('Tis said: the sacred word is past')

Unpublished.

*AsM 12 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

'Since Praise is nauteous to a modest ear'

Unpublished.

*AsM 13 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Solitude ('Now I with generous Cowley see')

Unpublished.

*AsM 14 c.1689
Autograph

Autograph, the poem dated 8 April 1684.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

The Thanksgiving ('Hence you complaining thoughts away')

Unpublished.

*AsM 15 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Virtue ('Go despicable Virtue go')

Unpublished.

*AsM 16 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.

Prose

Dedicatory epistle to Sancroft
*AsM 18 c.1689
Autograph

Autograph.

A quarto composite volume of verse and prose, in various hands, v + 159 leaves, in half-calf.

An autograph manuscript of sixteen poems by Mary Astell, in her semi-calligraphic script, occupies ff. 50r-97v. It is a presentation copy with (f. 50v) a title-page, A Collection of Poems humbly presented and Dedicated To the most Reverend Father in God William [Sancroft] By Divine Providence Lord Archbishop of Canterbury &c 1689 (f. 51r-v), a prose dedicatory epistle to Archbishop Sancroft, and (f. 94r) an address leaf To the most Reverend his Grace the Lord Archbishop of Canterbury These humbly present, 49 quarto leaves, bearing traces of a red wax seal.

The Astell MS discussed in Ruth Perry, A seventeenth-century feminist poet, TLS, 20 August 1982, p. 911. It is described also in the online Perdita project.