A composite collection of working literary papers by Milton, predominantly autograph, partly in the hands of amanuenses (including Jeremie Picard and Cyriack Skinner), on 47 pages, comprising one group of 25 large leaves c.12¼ x 7½ inches) bound with two leaves c.8½ x 6¾ inches), some leaves torn or frayed and probably now lacking a few present in the original collection; containing various drafts and fair copies of nineteen poems, two dramatic works, and some notes and drafts in prose, much of this material probably based on (lost) earlier drafts.
The papers were arranged in their present form in 1736 by Charles Mason and Thomas Clarke, Fellows of Trinity College. The MS cannot be dated precisely, but has been traditionally thought to begin in 1632, though it has been argued that it may date later, with earlier work transcribed not before 1637. Milton's autograph contributions end probably in 1652, with additions in other hands continuing probably until the late 1650's (when Picard was known to be associated with Milton: see further below).
c.1630s-[70s?].
This MS possibly among the MSS given to Trinity College in 1691 by Sir Henry Newton Puckering (though not recorded in the 1697 catalogue of that collection), but it might instead derive from Daniel Skinner, who owned some of Milton's papers; who was a B.A. and minor fellow of the College in 1674 and became a major fellow in 1679.
Cited by editors as the Trinity MS
. A complete facsimile, with transcript, in Poems (1972). Earlier complete facsimiles published in an edition by W.A. Wright (Cambridge, 1899), in the Illinois Edition of Milton's Complete Poetical Works, 1943-8 (I, 381-455; II, 12-29), and by the Scolar Press (Menston, 1970). Facsimile examples in Sotheby, Ramblings (1861); in Masson, I, after p. 780; in The Cambridge Manuscript of Milton, ed. F.A. Patterson (New York, 1933); in Greg, English Literary Autographs, Plate LII; in Carey & Fowler, after p. 234; in Croft, Autograph Poetry, I, 47; and in Petti, English Literary Hands, No. 59.
Discussed in Edmund Gosse, The Milton Manuscripts at Trinity, Atlantic Monthly, 85 (1900), 586-93; in Laura Lockwood, Milton's Corrections to the Minor Poems, MLN, 25 (1910), 201-5; in Allan H. Gilbert, The Cambridge Manuscript and Milton's Plans for an Epic, SP, 16 (1919), 172-6; in David Harrison Stevens, The Order of Milton's Sonnets, MP, 17 (1919-20), 25-33; in James Holly Hanford, The Arrangement and Dates of Milton's Sonnets, MP, 18 (1920-1), 475-83; in Columbia, I, ii, 408-11; in W.R. Parker, Some Problems in the Chronology of Milton's Early Poems, RES, 11 (1935), 276-83; in John S. Diekhoff, Milton's Craftsmanship as Revealed by the Revisions of the Poems of the Trinity College Manuscript (unpub. Ph.D. diss., case Western Reserve University, 1937); in John S. Diekhoff, Milton's Prosody in the Poems of the Trinity Manuscripts, PMLA, 54 (1939), 153-83; in John S. Diekhoff, Critical Activity of the Poetic Mind: John Milton, PMLA, 55 (1940), 116-18; in Maurice Kelley, Addendum: The Later Career of Daniel Skinner, PMLA, 55 (1940), 116-18; in John S. Diekhoff, The Trinity Manuscript and the Dictation of Paradise Lost, PQ, 28 (1949), 44-52; in Helen Darbishire, The Chronology of Milton's Handwriting, SCN, 11, No. 4 [Supplement] (Winter 1953), 11; in Maurice Kelley, Milton's Later Sonnets and the Cambridge Manuscript, MP, 54 (1956), 20-5; in John T. Shawcross, Speculation on the Dating of the Trinity MS of Milton's Poems, MLN, 75 (1960), 11-17; in Maurice Kelley, Daniel Skinner and Milton's Trinity College Manuscript, N&Q, 222 (May-June 1977), 206-7; in [John Shawcross] in A Milton Encyclopedia, VIII (1980), 92-3; in Masahiko Agari, A Note on Milton's Trinity MS, ELN, 22 (1984), 23-6; in William B. Hunter, A Bibliographical Excursion into Milton's Trinity Manuscript, Milton Quarterly, 19 (1985), 61-71; and elsewhere.