An exemplum of the edition of 1600 with the arms of the persons mentioned therein emblazoned in the margins.
c.1600.Formerly in the library of the Isham family, of Lamport Hall, Northamptonshire.
First published in London, 1600.
One of Camden's printed books, Jean du Tillet, Receuil des roys de France (Paris, 1586-8), with MS pages bound in at the front and end.
Nine pages of autograph pedigrees bound in at the front and end of the volume, including the dates 1598, 1605, and 1616.
Autograph draft pedigree, on one page, corresponding to Volume II, pp. 140-1, of the 1627 edition of the Annales.
Part I (to 1589) first published in London, 1615. Parts I-II (to 1603) published in Leiden, 1625-7.
Autograph annotations.
Calligraphic MS copy of unpublished Latin verses on the cities of Great Britain (some afterwards quoted in Britannia); eleven leaves (plus one blank leaf); with Camden's autograph annotations and deletions.
Autograph note in Latin on Eadgina vxor Athelstani
on the last page.
Autograph annotations.
Autograph annotations.
Autograph annotations in Latin and English and signature on the title-page Gul Camdenij
.
Exemplum of the Third printed edition of Waller's Poems (8°: London, 1668) extensively annotated by Francis Atterbury (1662-1732), Bishop of Rochester, including his rewriting of many poems, a blank page at the beginning annotated in an unidentified hand; pages 49-51 with a note on the irregularities of Waller's verse; the last blank page with other notes on Waller by Atterbury (Waller commends no Poet of his times that was in any degree a Rival to him...
) and by an unidentified hand (?Neve).
The volume briefly described in H.C. Beeching, Francis Atterbury (1909), pp. 227-31.
Quotation, lines 54-6 (here beginning Waller by nature for ye bays design'd
), ascribed to Roch
, in an unidentified hand.
First published in Poems on Several Occasions (Antwerp
, 1680). Vieth, pp. 120-6. Walker, pp. 99-102. Love, pp. 71-4.
MS annotations and deletions to the printed text.
First published in Workes (1645). Thorn-Drury, I, 15-16.
MS annotations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 1-7.
Minor MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 11-12.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 8-10.
Some MS alterations to the printed text and comments.
First published in Workes (1645). Thorn-Drury, I, 16-18.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 21.
MS alteration to the printed text.
First published in Workes (1645). Thorn-Drury, I, 22-3.
MS alterations to the printed text and comments.
First published, in a four-stanza version headed In Answer to a libell against her, &c, in Workes (1645). Thorn-Drury, I, 24-5.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 43.
MS alterations to the printed text and comments.
First published in Workes (1645). Thorn-Drury, I, 44-5.
A few MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 49.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 50.
Minor MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 51.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 52.
A few MS alterations to the printed text and comments.
First published in Workes (1645). Thorn-Drury, I, 91. A musical setting by Henry Lawes published in Select Ayres and Dialogues (London, 1669).
A few MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 58-60.
MS alteration to the printed tex and deletions.
First published in Workes (1645). Thorn-Drury, I, 110.
Copious MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 113.
MS alterations to the printed text.
First published, as On the Friendship betwixt Sacharissa and Amoret, in Workes (1645). Thorn-Drury, I, 60-1.
MS alterations to the printed text.
First published, headed The Reply on the Contrary, in Wits Recreations (London, 1645). Workes (1645). Ascribed to Tho. Batt.
in Francis Beaumont, Poems (London, 1653). Thorn-Drury, I, 100.
Copious MS alterations to the printed text.
First published, as The Melancholy Lover, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 101. A musical setting by Henry Lawes published in Ayres and Dialogues (London, 1653).
Copious MS alterations to the printed text.
Cited in Beeching.
First published, as On the Rose, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 128. Setting by Henry Lawes published in The Second Book of Ayres, and Dialogues (London, 1655).
Copious MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 87-8.
MS alteration to the printed text.
First published, as The cunning Curtezan, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 84.
A few MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 27-8.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 127. A musical setting by Henry Lawes published in Ayres and Dialogues (London, 1653).
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 123.
MS comment.
First published in Workes (1645). Thorn-Drury, I, 83.
A few MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 90.
Copious MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 105. A musical setting by Henry Lawes published, as To the same Lady singing the former Song, in Ayres and Dialogues (London, 1653).
Copious MS alterations to the printed text.
First published, as On the two Dwarfs that were marryed at Court, not long before Shrovetide, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 92.
Copious MS alterations to the printed text.
Cited in Beeching.
First published in Workes (1645). Thorn-Drury, I, 95.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 80-1.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 64-5.
MS annotations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 46-7.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 47-8.
MS annotation to the printed text.
First published, as To my young Lady Lucy Sidney, in Workes (1645). Thorn-Drury, I, 57.
Some MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 53-4.
Title added in MS to the printed text.
First published in Workes (1645). Thorn-Drury, I, 126.
MS alterations to the printed text.
First published, as On a patch'd up Madam, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 99.
Copious MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 109.
MS alterations to the printed text.
First published in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 121.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 31-2.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 85-6.
MS alterations to the printed text and comments.
First published in Workes (1645). Thorn-Drury, I, 77-9.
MS alterations to the printed text.
First published, as The Reply, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 106-8.
MS alterations and deletions to the printed text.
First published in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 98. A musical setting by Henry Lawes published in Ayres and Dialogues (London, 1653).
MS annotations to the printed text.
First published, in a six-line version headed To be ingraven under the Queen's Picture and beginning at line 3 (Such Helen was! and who can blame the boy
), in Wits Recreations (London, 1645). Workes (1645). An eight-line version first published in Thorn-Drury (1893), p. 129. Thorn-Drury (1904), II, 1.
MS alterations to the printed text.
First published, as The Variable Lover. or a Reply to the Melancholy Lover, in Wits Recreations (London, 1645). Workes (1645). Thorn-Drury, I, 102-3.
Copious MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 120-1.
Copious MS alterations to the printed text.
First published, as The Ladyes Slave to his Mistresse, in Wits Recreations (London, 1645). as Palamede to Zelinde. Ariana, lib. 6 in Workes (1645). Thorn-Drury, I, 103-4.
MS alterations to the printed text.
First published in Workes (1645). Thorn-Drury, I, 3-4.
MS alterations to the printed text.
First published, as To Chloris uppon a favour receaved, in Workes (1645). Thorn-Drury, I, 112. A musical setting by Henry Lawes published, as To a Lady, more affable since the war began, in The Second Book of Ayres and Dialogues (London, 1655).
MS alterations to two lines of the printed text.
First published as a broadside (London, 1661). Poems (London, 1664). Thorn-Drury, II, 40-5.
MS annotations to the printed text.
First published as a broadside (London, 1661). Poems (London, 1664). Thorn-Drury, II, 6-7.
MS annotations to the printed text.
First published as a broadside (London, 1658). Revised version in Samuel Carrington, History of the Life and Death of Oliver, Late Lord Protector (London, 1659). Poems (London, 1664). Thorn-Drury, II, 23-7.
MS alterations to the printed text.
First published as a broadside (London, 1665). Poems, Third
edition (London, 1668). Thorn-Drury, II, 48-59. See also Mary Tom Osborne, Advice-to-a-Painter Poems (Austin, Texas, 1949), pp. 26-7.
Annotations to the printed text.
First published in Poems, Third
edition (London, 1668). Thorn-Drury, II, 67.
MS alterations to the printed text and comments.
First published, in a fourteen-line version, in Poems, Third
edition (London, 1668). A 22-line version in Thorn-Drury, II, 68.
A MS alteration to the printed text in the last line.
First published in Poems, Third
edition (London, 1668). Thorn-Drury, II, 69.
Minor MS alnnotations to the printed text.
First published, in a fourteen-line version, in Poems, Third
edition (London, 1668). A 22-line version in Thorn-Drury, II, 68.
MS comments added to the printed text.
First published in Poems, Third
edition (London, 1668). Thorn-Drury, II, 69-70.
MS alterations to the printed text.
First published in Poems, Third
edition (London, 1668). Thorn-Drury, II, 69.
MS alterations to the printed text.
First published in Poems, Third
edition (London, 1668). Thorn-Drury, II, 65-6.
Copy, preceded by the note (on p. 307) The following Poem is copied from a very antient Ms which contains most of Waller's other Pieces, written before 1645, tho' none afterwards — & many of Sir John Suckling & Thomas Carew — & in which each Piece is seperately & correctly distinguished by the name of its Author. This Poem has never yet been printed.
, and headed A Song of Mr Waller — presented to the Queen — in 1638
, at the end of the volume.
First published in Workes (1645). Thorn-Drury, I, 82.
Copy, headed Mr Waller, when he was at Sea
, evidently made from Philip Neve's antient MS
, at the end of Atterbury-Neve Volume.
First published in Philip Neve, Cursory Remarks on some of the Ancient English Poets (London, 1789), pp. 70-1. Thorn-Drury, I, 75.
Two pages of autograph notes at the end (giving the reasons for this book's suppression).
Autograph inscription Sum Nicolai Vdalli 1537
Owned in 1527 by John Dobyns, scholar at Oxford.
Juhász-Ormsby, No. 8.
A few autograph annotations.
A few autograph annotations.
c.1616.Autograph annotations.
Two pages of autograph annotations at the front. Also, tipped in, a twelve-leaf booklet containing an autograph list in Latin of names and events relating to the years 1602-9 probably derived from Boutrays's book.
A few autograph annotations.
An octavo verse miscellany, comprising c.118 items, including thirteen poems by Donne, twenty poems by Corbett, and twelve poems (plus one of doubtful authorship) by Strode, written in several hands over an extended period, associated with Christ Church, Oxford, 99 leaves.
c.1620-40s.Owned and probably compiled in part, in his Oxford days, by George Morley (1598-1684), Bishop of Winchester.
Cited in IELM, I.i (1980) and II.i-ii (1987-93), as the Morley MS
: Killigrew MS
(
Facsimile of f. 49r in William Shakespeare: A Textual Companion, ed. Stanley Wells and Gary Taylor (Oxford, 1987), p. 24.
Copy.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 31-49.
Copy.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 3-4.
Copy, headed Dr Corb. against Prices Anniversary vpon Prince Henry
.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 8-9.
The poem is usually followed in MSS by Dr Daniel Price's Answer
(So to dead Hector boyes may doe disgrace
), and see also
Copy.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 10-11.
Copy, untitled.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 76-9.
Copy, untitled.
First published as Elegie II in Poems (1633). Grierson, I, 80-2 (as Elegie II). Gardner, Elegies, pp. 21-2. Shawcross, No. 17. Variorum, 2 (2000), pp. 217-18.
Copy, untitled.
First published in Poems (London, 1669). Grierson, I, 119-21 (as Elegie XIX. Going to Bed). Gardner, Elegies, pp. 14-16. Shawcross, No. 15. Variorum, 2 (2000), pp. 163-4.
The various texts of this poem discussed in Randall McLeod, Obliterature: Reading a Censored Text of Donne's To his mistress going to bed, EMS, 12: Scribes and Transmission in English Manuscripts 1400-1700 (2005), 83-138.
Copy.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 12-18.
Some texts accompanied by an Answer (A ballad late was made
).
Copy.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 59-62. The last 42 lines, beginning O thou deformed unwomanlike disease
, in Parnassus Biceps (London, 1656), p. 48.
Copy, headed To the Marquess
.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 71-2.
Copy, headed In Pvella negram
.
First published, as In praise of black Women; by T.R.
, in Robert Chamberlain, The Harmony of the Muses (London, 1654), p. 15 [unique exemplum in Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990)]; in Abraham Wright, Parnassus Biceps (London, 1656), pp. 75-7, as On a black Gentlewoman
. Poems (1660), pp. 61-2, as On black Hair and Eyes
and superscribed R
; in The Poems of John Donne, ed. Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 460-1, as on Black Hayre and Eyes, among Poems attributed to Donne in MSS
; and in The Poems of William Herbert, Third Earl of Pembroke, ed. Robert Krueger (B.Litt. thesis, Oxford, 1961:
Copy, headed 5 Senses
.
Often headed in MSS The [Five] Senses
, a parody of Patrico's blessing of the King's senses in Jonson's Gypsies Metamorphosed (
Copy, headed A godly Exhortation...
.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 52-6.
An exemplum of Poëtica Stromata at Christ Church, Oxford, has against this poem the MS marginal note None of Dr Corbets
and an attribution to John Harris of Christ Church.
Copy.
First published (omitting lines 25-48) in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 79-82. Ithuriel, Great Tom of Oxford, N&Q, 2nd Ser. 10 (15 December 1860), 465-6 (printing (from a MS collection) which bears the signature of Jerom Terrent
).
Copy, headed In ye Person of Ch. Ch.
.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, p. 70.
Copy, headed on a locke smyth
.
Whitlock, p. 108.
Copy, headed To a courtesan
and here beginning My prety lute when I am gon
.
First published in Bennett & Trevor-Roper (1955), p. 8.
Some texts followed by an answer beginning Little booke, when I am gone
.
Copy, headed Inuocation on ye Ghost of Robert Wisdom
.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, p. 75.
Copy, as By. G. M.
Copy, headed B. J. 5 senses
.
Herford & Simpson, lines 1329-89. Greg, Windsor version, lines 1129-89.
For a parody of this song, see
Copy, headed Mr Johnson to the King
.
Herford & Simpson, lines 1061-1125. Greg, Burley version, lines 821-84. Windsor version, lines 876-939.
Copy, headed Vpon Mrs Mallet
.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 6-7.
Copy, headed To a Lady whose chaine was lost by X
.
First published, as Eleg. XII. The Bracelet, in Poems (1635). Grierson, I, 96-100 (as Elegie XI). Gardner, Elegies, pp. 1-4. Shawcross, No. 8. Variorum, 2 (2000), pp. 5-7.
Copy.
First published, as The Rapture, by J.D.
, in Robert Chamberlain, The Harmony of the Muses (London, 1654), pp. 3-4 [unique exemplum in the Huntington edited in facsimile by Ernest W. Sullivan (Aldershot, 1990)]. Cupids Master-Piece (London, [?1656]). Dunlap, p. 192.
Copy, headed Mans Life
.
First published, in a musical setting, in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Latham, pp. 51-2. Rudick, Nos 29A, 29B and 29C (three versions, pp. 69-70). MS texts also discussed in Michael Rudick, The Text of Ralegh's Lyric What is our life?
, SP, 83 (1986), 76-87.
Copy, headed Perfumes
.
First published, as Elegie IV, in Poems (1633). Grierson, I, 84-6 (as Elegie IV). Gardner, Elegies, pp. 7-9. Shawcross, No. 10. Variorum, 2 (2000), pp. 72-3.
Copy, headed Aeparition of a Louer
.
First published in Poems (1633). Grierson, I, 47-8. Gardner, Elegies, p. 43. Shawcross, No. 28.
Copy, headed The Nitingale. G. M.
Copy, headed The Body
.
First published (Nos. 3 and 4) in John Benson's 4to edition of Jonson's poems (1640) and (all poems) in The Vnder-wood (lxxxiv) in Workes (London, 1640). Herford & Simpson, VIII, 272-89 (pp. 275-7).
Copy, headed The Minde
.
Herford & Simpson, VIII, 277-81.
Copy, untitled, subscribed Strode
.
Unpublished. Forey, pp. 86-8.
Copy, headed On a gentw. walking in the snow
.
First published in Walter Porter, Madrigales and Ayres (London, 1632). Dobell, p. 41. Forey, pp. 76-7. The poem also discussed in C.F. Main, Notes on some Poems attributed to William Strode, PQ, 34 (1955), 444-8 (pp. 445-6), and see Mary Hobbs, Early Seventeenth-Century Verse Miscellanies and Their Value for Textual Editors, EMS, 1 (1989), 182-210 (pp. 199, 209).
Copy, untitled, subscribed Finis. i6i.
First published (in a musical setting) in Michael East, Sixt Set of Bookes (London, 1624). Reliquiae Wottonianae (London, 1651), p. 518. Hannah (1845), pp. 12-15. Some texts of this poem discussed in J.B. Leishman, You Meaner Beauties of the Night A Study in Transmission and Transmogrification, The Library, 4th Ser. 26 (1945-6), 99-121. Some musical versions edited in English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), Nos. 66, 122.
Copy, headed On the death of King Janmes
, subscribed G: M
.
A version of lines 1-22, headed Epitaph on King James
and beginning He that hath eyes now wake and weep
, published in William Camden's Remaines (London, 1637), p. 398.
Attributed to Edward Fairfax in The Fairfax Correspondence, ed. George Johnson (1848), I, 2-3 (see
Copy.
First published in Witts Recreations (London, 1640). Bennett & Trevor-Roper, p. 74.
Copy, headed To one yt would dye a Mayd
.
Edited and most manuscript copies collated in Gary Taylor, Some Manuscripts of Shakespeare's Sonnets, Bulletin of the John Rylands University Library of Manchester, 68/1 (Autumn 1985), 210-46.
Copy, headed The parliament fart
.
Attributed to Hoskyns by John Aubrey. Cited, but unprinted, as No. III of Doubtful Verses
in Osborn, p. 300. Early Stuart Libels website.
Copy, headed On the death of a child
and here beginning As carefull Mothers to their beds do lay
.
First published in William Camden, Remaines (London, 1637), p. 411. Krueger, p. 303.
Copy, ascribed to Corbet.
First published in Sir Thomas Overbury, A Wife, 9th impression (London, 1616). Bennett & Trevor-Roper, pp. 18-19.
Copy, headed A song. W. S.
First published, in a musical setting by Henry Lawes, in Ayres and Dialogues (London, 1653). Wits Interpreter (London, 1655). Dobell, pp. 3-4. Forey, pp. 88-9.
Copy.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, p. 87.
Copy.
First published in William Camden, Remaines (London, 1636). Dobell, p. 119. Forey, p. 18.
Copy, ascribed to W. S.
First published in The Academy of Complements (London, 1650). Dobell, p. 13. Forey, pp. 95-6.
Copy.
First published in Dobell (1907), pp. 103-4. Forey, pp. 94-5.
Copy.
First published (omitting lines 7-10) in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 72-3.
Copy, headed Laus Musices
.
First published in Parnassus Biceps (London, 1656). Dobell, pp. 2-3. Four Poems by William Strode (Flansham, Bognor Regis, 1934), pp. 1-2. Forey, pp. 196-7. The poem also discussed in C.F. Main, Notes on some Poems attributed to William Strode, PQ, 34 (1955), 444-8 (p. 445).
Copy.
First published in Parnassus Biceps (London, 1656). Dobell, pp. 28-9. Forey, pp. 92-3.
Copy of the second couplet, here beginning My strings can doe what no man could
.
First published in Dobell (1907), p. 44. Forey, p. 210.
Copy, headed On a sigh
.
First published in Wit Restor'd (London, 1658). Dobell, pp. 6-8. Forey, pp. 194-6.
Copy.
First published in Dobell (1907), p. 16-18. Forey, pp. 72-5.
Copy, untitled.
First published in Poems (1640). Dunlap, pp. 27-9.
Copy of a seven-stanza version, untitled and here beginning With a new white feather in his Cappe
.
Unpublished. Forey pp. 83-5.
Copy.
First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, p. 18.
Copy, in two hands, untitled.
First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (xliii) in Workes (London, 1640). Herford & Simpson, VIII, 202-12.
Copy.
First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 63-5.
Copy, untitled.
First published, as Elegie, in Poems (1633). Grierson, I, 90-2 (as Elegie VIII). Gardner, Elegies, pp. 5-6. Shawcross, No. 9. Variorum, 2 (2000), pp. 51-2.
Copy, untitled.
First published, as Elegie VIII, in Poems (1633). Grierson, I, 89-90 (as Elegie VII). Gardner, Elegies, p. 12. Shawcross, No. 13. Variorum, 2 (2000), p. 127.
Copy, headed To his loue vpon his departure from her
.
First published in Poems (1633). Grierson, I, 49-51. Gardner, Elegies, pp. 62-4. Shawcross, No. 31.
Copy, untitled.
First published in Poems (1633). Grierson, I, 8-9. Gardner, Elegies, pp. 29-30. Shawcross, No. 33.
Copy.
First published in Poems (1633). Grierson, I, 127-31. Shawcross, No. 107. Milgate, Epithalamions, pp. 6-10. Variorum, 8 (1995), pp. 108-10.
Copy, headed Ad solem
.
First published in Poems (1633). Grierson, I, 11-12. Gardner, Elegies, pp. 72-3. Shawcross, No. 36.
Copy, untitled.
First published in Poems (1633). Grierson, I, 36. Gardner, Elegies, pp. 34-5. Shawcross, No. 56.
Copy.
First published in Poems (1633). Grierson, I, 180-2. Milgate, Satires, pp. 71-3. Shawcross, No. 112.
Copy, untitled.
First published in Poems (1633). Grierson, I, 271-9. Shawcross, No. 153. Milgate, Epithalamions, pp. 66-74. Variorum, 6 (1995), pp. 177-82.
Copy, headed Fran: Beomont to Ben: Jonson
.
First published in An addition of some excellent Poems...By other Gentlemen in Poems: Written by Wil. Shake-speare Gent. (London, 1640). Dyce, XI, 500-3. Ben Jonson, ed. C.H. Herford and Percy and Evelyn Simpson, XI (Oxford, 1952), 374-7.
Nearly all recorded MS texts of this poem are discussed and collated, with an edited text (pp. 170-4), in Mark Bland, Francis Beaumont's Verse Letters to Ben Jonson and The Mermaid Club
, EMS, 12 (2005), 139-79.
Copy, headed Capps
.
First published in Wits Interpreter (London, 1655). Dobell, pp. 104-7. Forey, pp. 47-51.
Copy of lines 21-30, untitled and here beginning Have yu seene the white lilly grow
; 1620s-30s.
Edited from this MS, including the parody, in Joshua Eckhardt, Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry (Oxford, 2009), p. 178.
First published (all ten poems) in The Vnder-wood (ii) in Workes (London, 1640). Herford & Simpson, VIII, 131-42 (pp. 134-5). Lines 11-30 of poem 4 (beginning Doe but looke on her eyes, they do light
) first published in The Devil is an Ass, II, vi, 94-113 (London, 1631).
Copy, untitled.
First published in Poems (1640). Dunlap, pp. 23-4.
Copy, untitled.
First published in Martin (1956), p. 420. Patrick, pp. 68-9.
Copy, headed Answer
.
First published in Hesperides (London, 1648). Martin, p. 49. Patrick, p. 69. Musical setting by John Blow published in John Playford, Choice Ayres and Songs (London, 1683).
Copy.
First published in John Aubrey, The Natural History and Antiquities of the County of Surrey, ed. Richard Rawlinson (London, 1718-19), IV, 166-71.
Copy, headed English
.
This text following a Latin version.
First published, in Wits Recreations (London, 1640). Dobell, p. 48. Listed, without text, in Forey, p. 339.
Copy, untitled.
First published in Workes (1645). Thorn-Drury, I, 87-8.
Copy, untitled.
First published in Workes (1645). Thorn-Drury, I, 75-6.
Copy of a letter by Earle to the Lord Mayor of London Elect, in a cursive secretary hand, endorsed The draught of a Lettr sent to my Lord Maior...
, from Westminster, 1660.
Quoted in Darwin, p. 187.
