Autograph MS of ten books of epigrams.
Containing over 1000 epigrams, on 266 large folio leaves (measuring c.35 x 24 cm and irregularly paginated 1-542), with a dedication to James, Marquess of Hamilton (pp. 1-6), an epistle lectural
to the Reader (pp. 7-10), a title-page (p. 19: Ten Books of Epigrams, the Curiositie whereof, for Conception, stile, instruction, and other mixtures of show, and substance, being no lesse fruitfull, then pleasing to the diligent peruser, are intituled Apollo, and the Muses: Written by the right Worshipfull Sir Thomas Urchard knight), an Introduction
(pp. 20-8), a prolog
(pp. 29-30), and an invocation To Apollo and the Muses
(p. 30); the various books also ushered in with separate title-pages, dedications (to the Marquess of Huntley, Earls of Arundel, Northumberland, Pembroke, Dorset, Holland, Newcastle, Strafford, and Lords Craven and Gowran), epistles to the judicious
or gracious
Reader, and invocations (to the Muses: Apollo, Clio, Euterpe, Thalia, Melpomene, Urania, Terpsichore, Erato, Poly[hi]mnia, and Calliope); concluding with an epilog
(pp. 361-2), fareweil to the Patrons
(pp. 362-3), adiew to Apollo and the Muses
(p. 364), and a Corollarie
including prose introduction, verse dialogue, prose Animadversion
, draft notes and more verses (pp. 367-95), A Consertarie from the Printer (p. 396), A Table
under alphabetical headings (pp. 397-449), a list of words (pp. 450-2), a prose advertisement
(p. 452), An explicatarie index of the harshest and most difficult words contained in the preceeding epigrams
(pp. 453-77), a prose conclusion
(pp. 478-9), the aftershot
(p. 480), another catalogue of words (pp. 481-94), and a prose essay Of Lust, and anger followed by further draft epigrams (pp. 485-542); the text including a chronogram of this present year 1640
.
c.1640-1.
Owned in 1683 by George Ogilvie, Master of Banff. Sotheby's, 17 November 1920 (John Ferguson sale), lot 949, to Bain.
This MS discussed in Charles Whibley, Studies in Frankness (London, 1898), p. 245; Willcock (1899), pp. 5, 40-1, 109, 116-17, with quotations and (after p. 116) a facsimile example; Kelsie B. Harder, Sir Thomas Urquhart's Definition of Wit, N&Q, 199 (April 1954), 154-5; and Jack & Lyall, pp. 6, 38. Complete microfilm in the Bodleian (MS Film 86). Facsimile example also in Laurence Witten, Contemporary Collectors XXIII: James Marshall Osborn, The Book Collector, 8 (Winter 1959), 383-96 (after p. 392); and see Facsimile XVII in IELM, II/2.