See
Thomas Campion
1567–1620
Introduction
Principal Manuscripts
The only known example of Thomas Campion's handwriting is the signature on his deposition in 1615 relating to the murder of Sir Thomas Overbury (
In addition to one other notable early manuscript, a scribal copy of some of the songs in The Lord Hay's Masque among the Cecil Papers at Hatfield house (reformed, eyther in Words or Notes
(Davis, p. 168). Early versions of his lyrics sometimes appeared, cloathed in Musicke by others
, in the songbooks of Jones, Dowland, Ferrabosco, et al. Some manuscripts, on the other hand, incorporate performers' ornamentation, which might indicate a later date of transcription.
The St Andrew Psalter
A group of manuscripts mentioned frequently in the entries is the so-called St Andrew Psalter. This consists of two almost identical sets of five manuscript part books of David Peebles's settings of the Psalms and Canticles, and other works, compiled between 1562 and c.1592 by Thomas Wode, Vicar of St Andrews. The first set is relevant because it contains settings of lyrics, including a number by Campion, added in other hands in the early seventeenth century. The first set comprises: (i) Tenor (
The Canon
The canon of Campion's songs is far from certain. For present purposes the canon accepted is based on Davis, with the addition of one song, Tarry sweete love, which is cited in Campion's Observations in the Art of English Poesie (1602) (see
A few eighteenth-century copies of certain of Campion's lyrics, not given entries below, are found in the British Library. Settings of And would you see my Mistris face? and My love hath vowd hee will forsake me occur in a manuscript of John Stafford Smith, 1785-9 (Add. MS 34608). Ferrabosco's setting of Young and simple though I am occurs in a Welsh collection of Lewis Morris, c.1720-31 (Add. MS 14934, f. 192v). Francis Pilkington's setting of Now let her change and spare not occurs in an anonymous music book (Add. MS 29291, ff. 6v-7r); and a setting of If Love loves truth, then women do not love occurs in a music collection of E.T.W. Horne, c.1760s (Add. MS 29386, f. 85r).
Abbreviations
- Davis
- The Works of Thomas Campion, ed. Walter R. Davis (London, 1969).
- Diem (1919)
- Nelly Diem, Beiträge zur Geschichte der Schottischen Musik im XVII. Jahrhundert (Zürich & Leipzig, 1919).
- Doughtie
- Lyrics from English Airs 1596-1622, ed. Edward Doughtie (Cambridge, Massachusetts, 1970).
- Vivian
- Campion's Works, ed. Percival Vivian (Oxford, 1909; reprinted 1967).
Verse
(1) English Songs and Poems by Campion
First published in Two Bookes of Ayres (London, [c.1612-13]), Book I, No. xiv. Davis, p. 74.
Copy, in a musical setting, untitled.
A small oblong quarto songbook, in probably several hands, 18 leaves, in paper wrappers, disbound.
A wrapper inscribed For George Chalmers Esq.
: i.e. given probably to George Chalmers, FSA, FRS (1742-1825), antiquary and political writer.
Copy, in a musical setting, untitled.
A quarto book of vocal music, the lyrics largely in a single secretary hand, varying in size, 79 leaves, in modern dark green morocco.
Inscribed (f. 45r) REdwards book
: i.e. compiled by Robert Edwards (1616-96), minister of Murroes Parish, though originally belonging to his father, Alexander, merchant of Dundee.
Owned in 1687 by Robert Edward's son Alexander (1651-1708). Panmure No. 11 among the Panmure Music Books gathered mainly by Lady Jean Campbell, second Countess of Panmure, and her sons James Maule, fourth Earl of Panmure, and Harie Maule. Subsequently preserved by their descendants, Earls of Dalhousie.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xiii. Davis, p. 148.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xix. Davis, p. 155.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xxii. Davis, pp. 190-2.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 500.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. x. Davis, p. 144-5.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 496.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published among sundry other rare Sonnets of diuerse Noble men and Gentlemen
appended to Sir Philip Sidney, Astrophel and Stella (London, 1591). Davis, p. 10.
Copy, untitled.
This MS recorded in Davis, p. 491.
A quarto verse miscellany, in an accomplished mixed hand throughout, with headings or incipts in engrossed lettering, 194 leaves, in 19th-century half-morocco.
This MS volume discussed in Katherine K. Gottschalk, Discoveries concerning British Library MS Harley 6910, MP, 77 (1979-80), 121-31.
First published (first strophe) among sundry other rare Sonnets of diuerse Noble men and Gentlemen
appended to Sir Philip Sidney, Astrophel and Stella (London, 1591). Robert Jones, Second Booke of Songs and Ayres (London, 1601). Davis, p. 9. Doughtie, p. 151.
Copy.
An octavo miscellany of verse and university exercises, including twelve poems by Carew, in a single hand, compiled by Edward Natley, Fellow of Queens' College, Cambridge, 165 leaves (including many blanks), in calf (rebacked).
Later in the library of Sir Thomas Phillipps (1792-1872), manuscript and book collector: Phillipps MS 2592. Sotheby's, 10 June 1896 (Phillipps sale), lot 960. Owned in 1896 by George Thorn-Drury, KC (1860-1931), literary scholar and editor. Acquired in 1950 from H.F.B. Brett-Smith, Oxford literary scholar and editor.
Cited in IELM, II.i (1987), as the Natley MS
:
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy, headed Iames Heruie
, in a group of ballads copied from an unprinted MS. written by Lady Robertson of Lude in 1630
.
This MS collated in Doughtie, p. 503.
A folio volume of ballads, comprising two MSS bound together, in possibly a single hand, 281 leaves, in half red morocco on marbled boards.
Volume II of the compilations of Peter Buchan (1790-1854), the foundation of his Ancient Ballads and Songs of the North of Scotland (Edinburgh, 1828).
Copies of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 491.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 492.
An oblong quarto book of mainly vocal music, the lyrics in several largely secretary hands, one predominating, 90 pages (including blanks), in contemporary brown calf, both covers stamped in gilt I S
.
Inscribed several times John Squyer
, probably the compiler.
Also inscribed (p. 1) Ane Cattologue of books 1700
, and (p. 25) Joanne Squier
. Owned by David Laing in June 1855.
Copy of a four-strophe version, in a musical setting, untitled.
Edited from this MS in Diem (1919), p. 14. Collated in Davis, p. 491, and in Doughtie, p. 503.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy, in a musical setting, untitled.
A small oblong quarto songbook, in probably several hands, 18 leaves, in paper wrappers, disbound.
A wrapper inscribed For George Chalmers Esq.
: i.e. given probably to George Chalmers, FSA, FRS (1742-1825), antiquary and political writer.
Copy, in a musical setting, untitled.
An oblong quarto songbook, the lyrics in a single secretary hand, 30 leaves (including blanks), in contemporary vellum gilt, with modern ties.
Inscribed inside the front cover Ro Carre of Ferniehurst (1669)
, later fourth Lord Jedburgh. Initials L. A. K.
stamped on the cover possibly denoting his wife, Lady Ann Ker.
Copy, untitled.
A quarto verse miscellany, 180 pages, in three secretary hands, in contemporary limp vellum.
Probably compiled by a member of an Inn of Court.
Bookplate of William Horatio Crawford, of Lakelands, Cork, book collector. Formerly Rosenbach 186.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in A Booke of Ayres (London, 1601), No. xxi. Davis, pp. 48-9.
Copy, headed Saphickes
.
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxiii. Davis, p. 160.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xviii. Davis, pp. 109-10.
Copy of the first strophe, in a musical setting, untitled.
This MS collated in Davis, p. 495.
A folio virginal book, largely in a single italic hand, written from both ends, with a list of contents (f. 1r), 60 leaves, in old brown calf gilt.
Inscribed (f. 1v), probably by the compiler, Elizabeth: Rogers hir virginall booke. ffebruarye ye 27: 1656
.
Also inscribed (f. 1r, twice) Elizabeth Fayre
. Later owned by Richard Heber (1774-1833), book collector. Sotheby's, February 1836 (Heber sale), lot 1151.
A facsimile of ff. 20v-3r, 26v-7r, 35v-7r, 46v-60r of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 2 (New York & London, 1986).
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 495.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first strophe, in a musical setting.
This MS collated in Davis, p. 495.
MS songbook.
Owned and probably compiled by Elizabeth Davenant (sister of Sir William Davenant), of Oxford.
Complete facsimile of this MS volume in Jorgens, VII (1987). Discussed in John P. Cutts, Mris Elizabeth Davenant 1624: Christ Church MS. Mus. 87, RES, NS 10 (1959), 26-37.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxiv. Davis, p. 160.
Copy, untitled.
This MS collated in Davis, p. 498.
A duodecimo miscellany of verse and prose, in a single neat largely italic hand, 155 leaves, in modern half-morocco.
The table of contents (f. 155v) subscribed Margrett Bellasys
, possibly the daughter of Thomas Belasyse (1577-1652), first Viscount Fauconberg of Henknowle. The front endpaper later inscribed The pieces which I have extracted for
: i.e. possibly by Thomas Campbell (1777-1844), editor of Specimens of the British Poets first published in 1809. Afterwards owned by Richard Heber (1774-1833), book collector. Evans (Sotheby's), 29 February 1836 (Heber sale, Part VIII), lot 13.The Specimens
are, Page 91, 211, 265
Copy of an untitled version beginning Could my poore hart whole worlds of toungs employ
.
This MS collated in Davis, p. 480.
A duodecimo miscellany of verse and prose, in a single neat largely italic hand, 155 leaves, in modern half-morocco.
The table of contents (f. 155v) subscribed Margrett Bellasys
, possibly the daughter of Thomas Belasyse (1577-1652), first Viscount Fauconberg of Henknowle. The front endpaper later inscribed The pieces which I have extracted for
: i.e. possibly by Thomas Campbell (1777-1844), editor of Specimens of the British Poets first published in 1809. Afterwards owned by Richard Heber (1774-1833), book collector. Evans (Sotheby's), 29 February 1836 (Heber sale, Part VIII), lot 13.The Specimens
are, Page 91, 211, 265
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xxiv. Davis, p. 193.
Copy of a parodied version of Campion's song, in his musical setting.
This MS collated in Davis, p. 500.
An oblong quarto book of mainly vocal music, the lyrics in several largely secretary hands, one predominating, 90 pages (including blanks), in contemporary brown calf, both covers stamped in gilt I S
.
Inscribed several times John Squyer
, probably the compiler.
Also inscribed (p. 1) Ane Cattologue of books 1700
, and (p. 25) Joanne Squier
. Owned by David Laing in June 1855.
Copy of the incipit, here Fayne would I wedd
, with a musical setting by Richard Farnaby.
This MS recorded in Davis, p. 500.
A virginal book, probably compiled by Francis Tregian (the Fitzwilliam Virginal Book).
Copy, untitled.
An octavo miscellany of verse and prose, closely written in possibly several minute predominantly secretary hands, 291 leaves (ff. 212-16 bound out of order after f. 24), in modern calf.
Inscribed (f. 1r) Joseph Hall
(not the bishop). Later owned by John Payne Collier (1789-1883), literary scholar, editor and forger, who has entered in pseudo-17th-century secretary script copies of various ballads on ff. 39r-41r, 107v-79r, 181r-v, 227r-8v, 243r-6r, as well as adding foliation (1-284) before the more recent foliation (1-291, used below). Quaritch's sale catalogue of English Literature
(August-November 1884), item 22350, Collier's transcript of the MS made c.1860 being item 22352. Formerly Folger MS 2071.7.
Discussed, with facsimile examples, in Giles E. Dawson, John Payne Collier's Great Forgery, SB, 24 (1971), 1-26.
Copy, in a musical setting.
MS transcript of the first printed edition (Aberdeen, 1662) of John Forbes, Cantus, Songs and Fancies.
In the Atholl Collection of Music, assembled by Lady Dorothea Stewart-Murray (1866-1937), daughter of John Stewart-Murray (1840-1917), seventh Duke of Atholl. Formerly in the Sandeman Library, Perth.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xx. Davis, p. 156-8. English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), No. 2.
Copy of the first strophe.
A large folio composite verse miscellany, chiefly folio, partly quarto, 243 pages, in contemporary calf.
Including 18 poems by Carew and two of doubtful authorship, compiled by Nicholas Burghe (d.1670), Royalist Captain during the Civil War and one of the poor Knights of Windsor in 1661 (references to I Nicholas Burgh
occurring on ff. 165r, with the date 3d of June 1638
, and 166r, and his name partly in cipher on other pages); predominantly in his hand, with some later additions in other hands.
Afterwards owned by Elias Ashmole (1617-92), astrologer and antiquary.
Cited in IELM, II.i (1987), as the Burghe MS
:
Copy of the first strophe, untitled, in a musical setting by Nicholas Lanier.
This MS collated in Davis, pp. 497-8.
A folio songbook, 121 leaves (including c.20 blanks and an index), in contemporary calf (rebacked).
Including ten poems by Carew and twelve poems by or attributed to Herrick, in musical settings, predominantly in a single hand (ff. 2r-63v, 92r-9r, 100r, with a change of style on ff. 64r-5v and in the index probably by the same hand), with 18th-century additions on ff. 81v-7v, 89r-v and 145v-53r, and scribbling elsewhere.
Later owned by Colonel W.G. Probert, of Bevills, Bures, Suffolk. Sold by Quaritch in 1937.
Cited in IELM, II.i (1987), as the Probert MS
:
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy of the first strophe, in a musical setting by Nicholas Lanier.
A large quarto music part book, 102 leaves.
Part of a set of ten volumes, once owned by one John Merro and, in 1673, by one William Iles, who gave them to John Fell (1625-86), Dean of Christ Church and Bishop of Oxford, for the vse of the publicke Musicke Scoole
.
Copy of the first strophe, untitled.
An octavo verse miscellany, in a single informal hand, a member of St John's College, Oxford, i + 99 leaves, in half-vellum marbled boards.
Including 19 poems by Habington and (ff. 8r-21r, 28v) 21 poems by Katherine Philips transcribed from a edited source.
Later owned by Richard Rawlinson (1690-1755).
Cited in IELM, II.ii (1993), as Rawlinson MS I
:
Copy, in a musical setting by Nicholas Lanier, untitled.
Edited from this MS in Spink. Collated in Davis, pp. 497-8.
A folio virginal book, largely in a single italic hand, written from both ends, with a list of contents (f. 1r), 60 leaves, in old brown calf gilt.
Inscribed (f. 1v), probably by the compiler, Elizabeth: Rogers hir virginall booke. ffebruarye ye 27: 1656
.
Also inscribed (f. 1r, twice) Elizabeth Fayre
. Later owned by Richard Heber (1774-1833), book collector. Sotheby's, February 1836 (Heber sale), lot 1151.
A facsimile of ff. 20v-3r, 26v-7r, 35v-7r, 46v-60r of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 2 (New York & London, 1986).
Copy, in a musical setting by Nicholas Lanier, untitled.
This MS collated in Davis, pp. 497-8.
A square-shaped folio songbook, largely in a single rounded secretary hand, with (ff. 1r-v, 69r-v) a table of contents, i + 69 leaves, in modern half red morocco.
Puttick & Simpson's, 2 March 1866, lot 230.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 2 (New York & London, 1986).
Copy, headed Impatience in Loue incurable
.
This MS collated in Davis, pp. 497-8.
A quarto verse miscellany, including 33 poems by Thomas Carew and sixteen by Henry King, in a single small hand, with (ff. 1r-2v) an alphabetical Index, 105 leaves, in modern half-morocco gilt.
Compiled by Peter Calfe (1610-67), son of a Dutch merchant in London.
Later owned by John, Baron Somers (1651-1716), Lord Chancellor, and afterwards by Edward Harley (1689-1741), second Earl of Oxford.
Cited in IELM II.i-ii (1987-93), together with Calfe MS
:
Copy, headed in the margin Songe
.
A quarto verse miscellany, in one or more secretary hands, with (ff. 244r-54r) a first-line index, 254 leaves, in modern half-morocco, poems on ff. 34v and 242v dated 1637.
Including 91 poems and some prose works by John Donne and fourteen poems by Thomas Carew.
Among the collections of Richard Temple-Nugent-Brydges-Chandos-Grenville (1776-1839), first Duke of Buckingham and Chandos, of Stowe House, near Buckingham, largely derived from the collection of the antiquary Thomas Astle (1735-1803), which in turn chiefly derived from Astle's father-in-law, the Essex historian Philip Morant (1700-70) (see
Cited in IELM, I.i (1980) and II.i (1987), as Stowe MS II
: Stowe MS
:
Copy, in a musical setting.
Edited from this MS in James Walter Brown, Some Elizabethan Lyrics, CM, 51 (September 1921), 285-96 (p. 290-1). Collated in John P. Cutts, Bishop Smith's Part-Song Books in Carlisle Cathedral Library (American Institute of Musicology, 1972), p. 53.
Two music part books compiled by Thomas Smith (1614-1701) of The Queen's College, Oxford, later Bishop of Carlisle.
Formerly Carlisle Cathedral, Dean & Chapter of Carlisle MSS, Box B1.
These MSS discussed in John P. Cutts, Bishop Smith's Part-Song Books in Carlisle Cathedral Library (American Institute of Musicology, 1972).
Copies, in a musical setting by Thomas Ford.
Three music part books: (i), (ii), and (iii).
Copy, headed Impatience in Love incurable
.
A quarto verse miscellany, in a single neat secretary hand, probably associated with Oxford and afterwards with the Inns of Court, 73 leaves (plus a few blanks and a modern index).
Including 40 poems by Strode and two poems of doubtful authorship.
Later in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 9510. (Phillipps sale, lot 1015.) Owned c.1903 by Bertram Dobell (1842-1914). Percy Dobell's sale catalogue No. 68 (1941), item 342. Formerly MS 4201. 27. 1.
Cited in IELM, II.ii (1993), as the Dobell MS II
:
Copy, in a musical setting by Nicholas Lanier.
This MS collated in Davis, pp. 497-8.
A folio music book, containing 327 songs, in three largely secretary hands, with a Cattalogue
of contents, 229 leaves.
Owned (in 1659) and partly compiled by the composer John Gamble (d.1687), with some misnumbering.
Later owned by Edward Francis Rimbault (1816-76), organist and author. Acquired in 1888.
A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 10 (New York & London, 1987). Discussed in Charles W. Hughes, John Gamble's Commonplace Book, M&L, 26 (1945), 215-29.
Copy, with two other poems run on together, headed Sr R.B.
.
An octavo verse miscellany, in several hands, 89 leaves, in old calf gilt.
Partly compiled (pp. 75-99) by one Robert Berkeley, who has inscribed the first page Rob Berkeley his booke Ano. 1640
.
Formerly owned by Henry Huth (1815-78). Formerly Rosenbach 195.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. ix. Davis, p. 95.
Copy of the first line, in a musical setting.
This MS recorded in Davis, p. 494.
An octavo musical part book, for the counter-tenor, of the St Andrews Psalter (the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, with a series of secular songs added later (ff. 81v-93v) in a secretary hand, 93 leaves, in old blind-stamped calf.
For three other part books of this Psalter, see
Purchased from Mrs H.S. Andrews, 14 November 1890.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 494.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published among sundry other rare Sonnets of diuers Noble men and Gentlemen
appended to Sir Philip Sidney, Astrophel and Stella (London, 1591). Davis, pp. 5-6 (also pp. 44-5).
Copy, in the secretary hand of Edward Bannister, untitled, on a folio leaf, endorsed A fantasye of Sr Phillyp Sydnys write owt of his Astrophell & stella
and owte of mr waterers Booke
. c.1587-91.
This MS recorded in Davis, p. 493.
A tall folio composite volume of verse MSS, in various hands and paper sizes, 195 leaves, mounted on guards, in half-morocco.
Compiled chiefly by members of the Caryll family.
Presented by Sir Charles Wentworth Dilke, first Baronet, MP (1810-69).
Copy of strophes I and II, in musical settings.
This MS collated in Davis, p. 493.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No, xix. Davis, p. 187.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in A Booke of Ayres (London, 1601), No. iii. Davis, pp. 22-3.
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 492.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
First published in John Dowland, Third Book of Aires (London, 1603). Campion, The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xvii. Davis, pp. 184-5. Doughtie, p. 179.
Copy, in a musical setting, untitled.
This MS collated in Davis, pp. 499-500, and in Doughtie, pp. 517-18.
A folio songbook, in probably two secretary and italic hands, 25 leaves, in a recycled contemporary vellum indenture within modern half red morocco.
Inscribed (f. 1v) John Shurlane His Booke
, and (f. 24v rev.) This Book Do[ ] / Hugh ffloyd / Domn: 11
, with dates 28 Nov. 1630
and 1633
. Purchased from Thomas Rodd, bookseller, 13 April 1844.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
Copy, headed A sonnet
.
This MS recorded in Doughtie, p. 517.
An octavo notebook of extracts in verse and prose, in a small untidy hand, written from both ends, 42 leaves (plus three blanks), badly worn, remains of boards and green ties.
Includes (f. [31r rev.] a reference to my brother Capstons account book after his death 1632
. Given to the library by H.L. Pink, Assistant Under-Librarian, 22 November 1948.
Copy of a three-strophe version, in a musical setting (a version of that in
Edited from this MS in John P. Cutts, Seventeenth Century Songs and Lyrics (Columbia, Missouri, 1959), p. 178. Collated in Davis, pp. 499-500, and in Doughtie, pp. 517-18.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy of strophes I and III, in a musical setting (a version of that in fynis quod Mrs Elyzabeth Hampden
.
This MS collated in Davis, pp. 499-500, and in Doughtie, pp. 517-18.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy, untitled, transcribed from fol. 19 of the original songbook.
Copy of Sonnettes &c.
, in the hand of John Leyden (1775-1811), linguist and poet, made for Richard Heber (1774-1833), book collector, on eight quarto leaves.
Transcribed from an earlier musical partbook for the Cantus voice bearing a preface signed Jo. Hiltoun
(fl. c.1627-30) which in 1800 was in the possession of Mr. Russell, Grandson of Dr Robertson, late Principal of Edinburgh College
[i.e. William Robertson (1721-93), historian].
Copy, untitled.
A quarto verse miscellany, in a Scottish secretary hand, paginated 5-132, bound with a later verse MS on 98 pages, in brown calf.
Bookplate of John Pinkerton (1758-1826), historian and poet. Sotheby's, April 1812 (Pinkerton sale), lot 593, to Richard Heber (1774-1833), book collector. Sotheby's, 1836 (Heber sale, Part XI), lot 1104, to Thomas Thorpe. His catalogue, 1836, bought by Laing.
Copy, untitled.
This MS collated in Doughtie, pp. 517-18.
An octavo miscellany of verse and prose, closely written in possibly several minute predominantly secretary hands, 291 leaves (ff. 212-16 bound out of order after f. 24), in modern calf.
Inscribed (f. 1r) Joseph Hall
(not the bishop). Later owned by John Payne Collier (1789-1883), literary scholar, editor and forger, who has entered in pseudo-17th-century secretary script copies of various ballads on ff. 39r-41r, 107v-79r, 181r-v, 227r-8v, 243r-6r, as well as adding foliation (1-284) before the more recent foliation (1-291, used below). Quaritch's sale catalogue of English Literature
(August-November 1884), item 22350, Collier's transcript of the MS made c.1860 being item 22352. Formerly Folger MS 2071.7.
Discussed, with facsimile examples, in Giles E. Dawson, John Payne Collier's Great Forgery, SB, 24 (1971), 1-26.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xxl. Vivian, pp. 185-6. Davis, p. 189.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
(ii) Treble or Cantus and (iv) Bass.
Part books of David Peebles's settings of the Psalms and Canticles, and other works. Compiled by Thomas Wode, Vicar of St. Andrews.
(v) Quintus.
Part book of David Peebles's settings of the Psalms and Canticles, and other works. Compiled by Thomas Wode, Vicar of St Andrews.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xi. Davis, p. 146.
Copy, untitled.
An octavo verse miscellany, including 13 poems by Donne and 14 poems by Corbett, in several hands, probably associated with Oxford University, written from both ends, 102 leaves, in 17th-century calf.
Inscribed (f. 101v) Henry Lawson
(or just possibly Lamson
). Thomas Thorpe, sale catalogue (1836), item 1185. Later in the library of Sir Thomas Phillipps (1792-1872), manuscript and book collector: Phillipps MS 9257. Sotheby's, 15 June 1896 (Phillipps sale), lot 862. Quaritch's sale catalogue No. 164 (1896), item 64.
Cited in IELM, I.i (1980) and II.i (1987), as the Lawson MS
:
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 496.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copies, in Campion's musical setting.
A set of four oblong duodecimo music part books, (i) Cantus Primus, (ii) Cantus Secundus, (iii) Bassus and (iv) Basso Continuo, each written from both ends, compiled by John Playford (1623-86?), 50, 36, 48, and 35 leaves respectively, each volume in limp vellum lettered I. P.
.
Leaves excised from these volumes are in the
A flyleaf in the Cantus Secundus part book inscribed Decemb. 30. 1674. Note that I Thomas Clifford bought this sett of Musick Books of Mr Richard Price's widow Mrs Dorothy Price for --7s--6d
.
Copy, untitled.
An octavo verse miscellany, predominantly in two very small hands (A: ff. 1r-44v; B: ff. 44v-87v), with further verse and prose pieces in other hands on ff. 88r-121r, written from both ends, associated with Oxford, possibly New College, and probably afterwards with the Inns of Court, 155 leaves (including 33 blanks), in modern black morocco elaborately gilt.
Including 23 poems by Strode (and second copies of two poems) and one poem of doubtful authorship.
Including (ff. 98r-100r) a letter by one Pet[er] Wood
. Inscribed (ff. 90r-1r), Thease verses I borroed to write out of John Sherly [d. 1666] a booke seller in litle Brittaine, 28th of March 1633
. Later in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 9235. Sotheby's, 21 February 1938, lot 243.
Cited in IELM II.ii (1993), as the Wood MS
:
Copy, in a musical setting, untitled.
Edited from this MS in Diem (1919), pp. 89-90. Collated in Davis, p. 496.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy of the first two lines, in a musical setting, untitled.
A quarto book of vocal music, the lyrics largely in a single secretary hand, varying in size, 79 leaves, in modern dark green morocco.
Inscribed (f. 45r) REdwards book
: i.e. compiled by Robert Edwards (1616-96), minister of Murroes Parish, though originally belonging to his father, Alexander, merchant of Dundee.
Owned in 1687 by Robert Edward's son Alexander (1651-1708). Panmure No. 11 among the Panmure Music Books gathered mainly by Lady Jean Campbell, second Countess of Panmure, and her sons James Maule, fourth Earl of Panmure, and Harie Maule. Subsequently preserved by their descendants, Earls of Dalhousie.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
Copy, in a musical setting.
This MS collated in Davis, p. 496.
A folio music book, containing 327 songs, in three largely secretary hands, with a Cattalogue
of contents, 229 leaves.
Owned (in 1659) and partly compiled by the composer John Gamble (d.1687), with some misnumbering.
Later owned by Edward Francis Rimbault (1816-76), organist and author. Acquired in 1888.
A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 10 (New York & London, 1987). Discussed in Charles W. Hughes, John Gamble's Commonplace Book, M&L, 26 (1945), 215-29.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xvi. Davis, p. 151.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in A Booke of Ayres (London, 1601), No. viii. Davis, p. 31.
Copy.
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
See
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxvii. Davis, p. 163.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book I, No. xi. Davis, pp. 70-1.
Copy, in a musical setting.
An oblong octavo music part book (tenor), 63 leaves.
Once owned by Thomas and Mary Withen.
First published in Francis Pilkington, First Booke of Songs or Aires (London, 1605). Campion, The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. ii. Davis, pp. 134-5. Doughtie, pp. 216, 227.
Copies, in a musical setting by Francis Pilkington.
This MS recorded in Doughtie, p. 537.
A set of four oblong quarto music part books (Cantus, Quintus, Altus, Tenor and Bassus), including verses, ranging from 24 to 30 leaves each, in half-red calf marbled boards.
Compiled chiefly by Thomas Hamond (d.1662), of Cressners, in the parish of Hawkdons, Suffolk.
Also inscribed Marie Hammond
.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxi. Davis, p. 159.
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 498.
A square-shaped folio songbook, largely in a single rounded secretary hand, with (ff. 1r-v, 69r-v) a table of contents, i + 69 leaves, in modern half red morocco.
Puttick & Simpson's, 2 March 1866, lot 230.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 2 (New York & London, 1986).
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. ii. Davis, p. 169.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xvii. Davis, pp. 152-3.
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 497.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first strophe, in a musical setting, untitled.
Printed from this MS in Davis, p. 153, and collated, p. 497.
An oblong folio songbook, the lyrics in two or more secretary and italic hands, 44 leaves, in contemporary vellum within brown calf gilt, stamped with the initials A. B.
, now within modern half red morocco.
Inscribed (f. 1r) Richard Elliotts his Booke
and William Wilkins 1743
. The cover initials A. B.
conjecturally attributed to Adrian Batten (1591-1637), composer. Puttick & Simpson's, 30 June 1873.
Facsimile of ff. 2r-26v in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, in a musical setting.
This MS collated in Davis, p. 497.
MS music book, partly compiled by John Bull (c.1562-1628).
Copy of the first strophe, in a musical setting.
This MS collated in Davis, p. 497.
MS music book, partly compiled by John Bull (c.1562-1628).
Copy, untitled.
A folio formal verse miscellany, in a single rounded hand, 259 pages (plus a three-page index), in modern boards.
The contents, the latest of which (on pp. 203-7) can be dated to a marriage that took place in November 1656, reflect the taste of Interregnum Royalist sympathisers.
Formerly in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 4001. Sotheby's, 29 June 1946, lot 164, to Myers. Then in the library of Charles Kay Ogden (1889-1957), psychologist, linguist, and book collector.
Copy, untitled.
A folio formal verse miscellany, comprising c.406 poems, many of them song lyrics, in various neat hands, compiled probably over a period, 8 blank leaves (pp. [i-xvi]) + 10 unnumbered pages of poems (pp. [xvii-xxvi]) + 9 numbered pages (pp. 1-9) + ff. [9v]-151v + 12 leaves at the end blank but for a poem on the penultimate page (f. [11v]), in contemporary calf gilt.
Once erroneously associated with Thomas Killigrew (1612-83), whose hand does not appear in the volume.
Inscribed (f. [ir]) Sr Robert Killigrew / 1702
. Later in the library of Sir Thomas Phillipps, Bt (1792-1872), book and manuscript collector: Phillipps MS 9070. Sotheby's, 19 May 1897, lot 455.
Discussed, with a facsimile example, in Nancy Cutbirth, Thomas Killigrew's Commonplace Book?, Library Chronicle of the University of Texas at Austin, NS No. 13 (1980), 31-8.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxix. Davis, p. 165.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxvi. Davis, p. 162.
Copy, here beginning Silly boy 'tis new moon yet
.
A large folio composite verse miscellany, chiefly folio, partly quarto, 243 pages, in contemporary calf.
Including 18 poems by Carew and two of doubtful authorship, compiled by Nicholas Burghe (d.1670), Royalist Captain during the Civil War and one of the poor Knights of Windsor in 1661 (references to I Nicholas Burgh
occurring on ff. 165r, with the date 3d of June 1638
, and 166r, and his name partly in cipher on other pages); predominantly in his hand, with some later additions in other hands.
Afterwards owned by Elias Ashmole (1617-92), astrologer and antiquary.
Cited in IELM, II.i (1987), as the Burghe MS
:
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 498.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first line only, in a musical setting, untitled.
MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, headed Advice to a young Lover
, transcribed from a text in a small MS. Collection in Mr. Bouchers possession
[i.e. Jonathan Boucher of Epsom].
This MS recorded in Neilson, A Bundle of Ballads, p. 113.
A composite volume of transcripts of ballads made, from various printed and manuscript sources, by and for Robert Jamieson (1780?-1844) for his edition of Popular Ballads and Songs (Edinburgh, 1806).
Owned in 1921 by George Neilson, then by Charles R. Cowie, and now in the John Cowie Collection.
Discussed in G. Neilson, A Bundle of Ballads, E&S, 7 (1921), 108-42.
Copy, headed An aduice to a yonge louer
.
An oblong quarto verse miscellany, in a single neat hand, written with the volume tilted with the spine to the top, 167 pages (plus blanks), in elaborately tooled green morocco gilt.
Including ten poems by Carew and twelve poems by Strode (and two poems of doubtful authorship).
The initials M W
stamped on each cover: i.e. M[aidstone] and W[inchilsea]. Evidently compiled by or for Sir Thomas Finch, Viscount Maidstone and Earl of Winchilsea (who succeeded to the peerage in 1633 and died in 1634). A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 190.
The MS came to Rosenbach with a printed exemplum of William Wishcart, An Exposition of the Lord's Prayer (London, 1633), and the two clearly share the same provenance. The printed volume is similarly bound, with the initials M W
; it is inscribed Lord Winchilsea for Mr Locker 1634
; it bears the late 17th-century signatures of Stephen Locker and Alexander Campbell, and the bookplates of Captain William Locker (1731-1800) and Edward Hawke Locker (1777-1849).
Cited in IELM, II.i-ii (1987-93), as the Winchelsea MS
:
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
Copy.
A duodecimo verse miscellany, including (ff. 12r-43r) 63 sonnets by Henry Constable, 117 leaves, in brown morocco.
Later owned by a Mr Brackman, of Kent. Given by Alderman Bristow, bookseller of Canterbury, to a Mr Todd on 19 November 1800. Afterwards owned by Alexander Dyce (1798-1869), literary scholar and editor.
Cited by editors as the Todd MS.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxv. Davis, p. 161.
Copy of the first line only, in a musical setting, untitled.
MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xv. Davis, p. 105.
Copy of the first strophe in a musical setting by John Wilson, untitled.
This MS collated in Davis, pp. 494-5.
A large folio volume of songs in musical settings by John Wilson (1595-1674), composer and musician, vi + 214 leaves (plus some blanks), gilt-edged, in contemporary black morocco elaborately gilt, lettered on each cover DR. / I.W
, with silver clasps.
Possibly Wilson's formal autograph MS or else in the hand of someone similarly associated with Edward Lowe (c.1610-82).
Complete facsimile in Jorgens, Vol. 7 (1987). Discussed in John P. Cutts, Seventeenth Century Lyrics: Oxford, Bodleian, MS. Mus. b. 1, MD, 10 (1956), 142-209.
Copy of the first strophe in a musical setting by John Wilson.
A folio music part book (2nd treble part), viii + 218 pages, in contemporary calf.
Compiled by Edward Lowe (c.1610-82), organist and composer.
Bookplate of Povert Henley.
Copy of the first strophe, in a musical setting by John Wilson, untitled.
This MS collated in Davis, pp. 494-5.
A folio songbook (First Treble part), in a single hand, written from both ends, viii + 213 pages (paginated 1-191, then 1-22 rev.), lacking pp. 87-8, 115-18, the first two of which are now
Compiled entirely by Edward Lowe (c.1610-82), organist and composer.
Later owned by Edward Francis Rimbault (1816-76), organist and author.
Discussed in John P. Cutts, Seventeenth-Century Songs and Lyrics in Edinburgh University Library Music MS. Dc. 1. 69, MD, 13 (1959), 169-94. A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 8 (New York & London, 1987).
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. vi. Davis, p. 173.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published and attributed to Campion, in Mary Joiner Another Campion Song?, M&L, 48 (1967), 138-9.
Copy, in a musical setting.
Edited from this MS in Joyner.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
First published in A Booke of Ayres (London, 1601), No. xviii. Davis, p. 43 (also p. 60).
Copy, in a different hand, untitled.
A folio volume comprising two independent units, foliated as a single series, xii + 246 leaves (plus 12 further blanks).
Both parts containing antiquarian tracts:
ff. 1r-29v, Matters of Combat 1609
, predominantly in a professional secretary hand, with additions in other hands, owned in 1612 by William Crispe (name inscribed in court hand several times) and also by Henry Crispe (inscribed f. 20r-v), one or both also probably responsible for trial exercises in decorative lettering. c.1609-12.
ff. 30r-45v, discourses and copies of Latin documents relating to the offices of Lord Steward, Constable, and Earl Marshal of England, with title-page and (incomplete) list of contents, in the hands of professional scribes: ff. 30r-119v, 132r-45v, 150v-61r, 165v to to half-way down f. 205r in the hand of the Feathery Scribe
; the remainder in two other scribal hands. c.1630s.
Once owned by the Isham family, of Lamport Hall, Northamptonshire. Sotheby's, 17 June 1904 (Library of a Gentleman in the Country
), lot 89, to Quaritch. P.J. and A.E. Dobell, sale catalogue No. 80 (1928), item 719.
Described in Peter Beal, In Praise of Scribes: Manuscripts and their Makers in Seventeenth-Century England (Oxford, 1998), p. 255 (No. 88). Woudhuysen, Sir Philip Sidney, p. 30.
Second copy, in yet another hand.
Edited from this MS in Joiner.
A folio volume comprising two independent units, foliated as a single series, xii + 246 leaves (plus 12 further blanks).
Both parts containing antiquarian tracts:
ff. 1r-29v, Matters of Combat 1609
, predominantly in a professional secretary hand, with additions in other hands, owned in 1612 by William Crispe (name inscribed in court hand several times) and also by Henry Crispe (inscribed f. 20r-v), one or both also probably responsible for trial exercises in decorative lettering. c.1609-12.
ff. 30r-45v, discourses and copies of Latin documents relating to the offices of Lord Steward, Constable, and Earl Marshal of England, with title-page and (incomplete) list of contents, in the hands of professional scribes: ff. 30r-119v, 132r-45v, 150v-61r, 165v to to half-way down f. 205r in the hand of the Feathery Scribe
; the remainder in two other scribal hands. c.1630s.
Once owned by the Isham family, of Lamport Hall, Northamptonshire. Sotheby's, 17 June 1904 (Library of a Gentleman in the Country
), lot 89, to Quaritch. P.J. and A.E. Dobell, sale catalogue No. 80 (1928), item 719.
Described in Peter Beal, In Praise of Scribes: Manuscripts and their Makers in Seventeenth-Century England (Oxford, 1998), p. 255 (No. 88). Woudhuysen, Sir Philip Sidney, p. 30.
Copy.
This MS recorded in Davis, p. 493.
A folio verse miscellany, entirely in the professional secretary hand of the Feathery Scribe
, containing some 76 poems, including eleven by Donne, later inscribed (erroneously) Sir John Haringtons Poems Written in the Reign of Queen Elizabeth
, 56 leaves, in contemporary vellum.
From the library of Richard Rawlinson (1690-1755), nonjuring bishop and topographer.
Cited in IELM, I.i (1980), as the Rawlinson MS
:
Copy, headed Verses made by Mr. Fra. Bacon
, in Birch's hand.
Edited from this MS in Joiner. Collated in Davis, p. 493.
A large quarto composite volume of letters and papers relating to Queen Elizabeth, Francis Bacon and the Earl of Essex, predominantly in the hand of Thomas Birch (1705-66), biographer and historian, 44 leaves.
Copy; untitled.
This MS collated in Davis, p. 493.
An independent quarto verse miscellany, including 47 poems by Donne, in two secretary hands.
Constituting ff. 230r-99v in a quarto composite volume of verse and prose, in various hands, 308 leaves, in modern half green morocco gilt.
Among the collections of Robert Harley, first Earl of Oxford (1661-1724), and his son, Edward, second Earl of Oxford (1681-1741), and acquired in 1722 from the bookseller Nathaniel Noel (fl.1681-c.1753).
Cited in IELM I.i as the Harley Noel MS
:
Copy, headed Verses made by Mr Fra: Bacon
.
This MS collated in Davis, p. 493. A 19th-century transcript made by Samuel Sanders is at Trinity College, Cambridge, MS R. 2. 21 (James 521), (3).
A quarto volume of papers relating to Robert, Earl of Essex, in two secretary hands, 30 leaves.
Copy, headed Who liues well
.
This MS collated in Davis, p. 493.
A quarto miscellany of verse and some prose, in at least seven secretary and italic hands, 118 leaves (plus some blanks), currently disbound.
Possibly compiled by one or more persons connected with the Inns of Court.
Later in the library of the Rev. Richard Farmer, FSA (1735-97), Master of Emmanuel College, Cambridge, literary scholar. Lot 8055 in the sale of his library by Thomas King, 7 May to 16 June 1798. Probably owned afterwards by James Crossley (1800-83), author and book collector. Formerly Chetham's MS 8012.
The volume edited by Alexander B. Grosart as The Dr. Farmer Chetham MS. being a Commonplace Book in the Chetham Library, Manchester, temp. Elizabeth, James I, and Charles I, Chetham Society, vols 89 and 90 (Manchester, 1873).
Copy, headed Verses made by Mr: Francis Bacon
.
A quarto letterbook, in several neat hands, 191 leaves (plus numerous blanks), in red morocco gilt.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xii. Davis, pp. 100-1.
Copy of a version in a musical setting by Thomas Morley, untitled.
Edited from this MS in Davis, pp. 479-80.
A folio songbook, in probably two secretary and italic hands, 25 leaves, in a recycled contemporary vellum indenture within modern half red morocco.
Inscribed (f. 1v) John Shurlane His Booke
, and (f. 24v rev.) This Book Do[ ] / Hugh ffloyd / Domn: 11
, with dates 28 Nov. 1630
and 1633
. Purchased from Thomas Rodd, bookseller, 13 April 1844.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
First published in A Booke of Ayres (London, 1601), No. ix. Davis, p. 32.
Copy.
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
First published in Robert Jones, Ultimum Vale (London, 1605). Campion, The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. vii. Davis, pp. 174-6. Doughtie, p. 212.
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copies of the incipit only, in a musical setting, untitled.
These MSS collated in Davis, p. 498.
A set of six oblong quarto part-books of principally vocal music, largely in a single italic hand, each volume in modern half-morocco.
Copy, in a musical setting, untitled.
This MS recorded in Doughtie, p. 531.
A narrow oblong octavo songbook, the lyrics in a neat italic hand, ii + 37 leaves (plus blanks), in contemporary vellum within 19th-century morocco.
Inscribed (f. 1r) Robius Downes
. Bookplates of Joseph Haslewood (1769-1833), bibliographer and antiquary, and of William Hayman Cummings (1831-1915), singer and musical antiquary. Notes in 1841 (f. 2r) by Joseph Warren (1804-81), composer and music editor. Sotheby's, 9 June 1917 (Cummings sale), lot 1586, to Maggs.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first line only, in a musical setting, untitled.
An oblong quarto musical part book, for the Treble voice, the song incipits chiefly in a rounded italic hand, with (ff. 2v-4r) an index, 53 leaves, in 19th-century black calf.
Inscribed (f. 1r), in a secretary hand, Sr William Maur
: i.e. Sir William Mure, Bt (d.1639), of Rawallan, Ayrshire, or else his son of that name (1594-1657), writer and politician; (f. 1r) Robert Muire ist my hand
; and (f. 2r), in later red ink, Thomas Lyle Surgeon
.
Copy, in an italic hand, untitled, here beginning There is a gardine in hir face
, on one side of a single trimmed folio leaf, once folded as a letter or packet.
Copy, in a musical setting, untitled.
A quarto book of vocal music, the lyrics largely in a single secretary hand, varying in size, 79 leaves, in modern dark green morocco.
Inscribed (f. 45r) REdwards book
: i.e. compiled by Robert Edwards (1616-96), minister of Murroes Parish, though originally belonging to his father, Alexander, merchant of Dundee.
Owned in 1687 by Robert Edward's son Alexander (1651-1708). Panmure No. 11 among the Panmure Music Books gathered mainly by Lady Jean Campbell, second Countess of Panmure, and her sons James Maule, fourth Earl of Panmure, and Harie Maule. Subsequently preserved by their descendants, Earls of Dalhousie.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xiii. Davis, p. 102.
Copy in Aubrey's hand, headed For my Lady Eliz: Viscountesse Purbec repeated by her
and subscribed made By Rob: E of Essex yt was beheade[d]
.
This MS recorded in The Poems of Edward De Vere, Seventeenth Earl of Oxford, and of Robert Devereux, Second Earl of Essex, ed. Steven W. May, Studies in Philology, 77, No. 5 (Early Winter 1980), p. 115, where the attribution to Essex is rejected.
A folio composite autograph manuscript of the third part of Brief Lives by John Aubrey (1626-97), 106 leaves of various sizes, in half-calf.
Copy, transcribed from
This MS recorded in May, p. 15.
A quarto miscellany of extracts in verse and prose, ii + 68 pages.
Compiled by Bulkeley Bandinel (1781-1861), librarian and editor.
Copy, in a secretary hand, untitled, on one side of a single quarto leaf, once folded as a letter or packet, in a file of verse MSS.
A box of unbound and unnumbered legal and miscellaneous papers.
Copy, in a musical setting, no title.
Edited from this MS in Diem (1919), p. 77. Collated in Davis, p. 494.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
First published in A Booke of Ayres (London, 1601), No. xii. Davis, pp. 34-5.
Copy of the first strophe, untitled, in a musical setting.
This MS collated in Davis, p. 492.
A folio songbook, 121 leaves (including c.20 blanks and an index), in contemporary calf (rebacked).
Including ten poems by Carew and twelve poems by or attributed to Herrick, in musical settings, predominantly in a single hand (ff. 2r-63v, 92r-9r, 100r, with a change of style on ff. 64r-5v and in the index probably by the same hand), with 18th-century additions on ff. 81v-7v, 89r-v and 145v-53r, and scribbling elsewhere.
Later owned by Colonel W.G. Probert, of Bevills, Bures, Suffolk. Sold by Quaritch in 1937.
Cited in IELM, II.i (1987), as the Probert MS
:
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy of the first strophe, untitled.
A quarto composite volume comprising three independent MSS bound together, i + 78 leaves.
The first MS a verse miscellany, in an italic hand, 29 leaves. c.1640.
Copy.
This MS collated in Davis, p. 492.
A quarto verse miscellany, including (ff. 113r-15r) copies of, or brief extracts from, 30 poems by Donne (plus two apocryphal poems), in a single hand, transcribed from the 1635 or 1639 edition of Donne's Poems, headed Donnes quaintest conceits
in several hands, 156 leaves (plus blanks), in modern black morocco gilt.
Once owned by Thomas Rawlinson (1681-1725) and afterwards among the collections of Edward Harley, second Earl of Oxford (1689-1741).
Cited in IELM I.i (1980) as the Harley Rawlinson MS
:
Copy of a version in sonnet form, headed Beautie without Love deformitie
.
Edited from this MS in Davis, p. 476.
A quarto verse miscellany, in an accomplished mixed hand throughout, with headings or incipts in engrossed lettering, 194 leaves, in 19th-century half-morocco.
This MS volume discussed in Katherine K. Gottschalk, Discoveries concerning British Library MS Harley 6910, MP, 77 (1979-80), 121-31.
Copy, untitled.
A sextodecimo miscellany of verse and topographical prose, probably in a single small cursive hand, 78 leaves, written from both ends, Part I foliated 1r-33r, Part II foliated 1r-45r, in old calf.
Inscribed (Part I, f. 1r) Mr John Oldhams Booke
[i.e. the poet John Oldham (1653-83)]. Inscribed (Part II, f. 1r) James Bateman
[(b.1633/4) of Christ's College, Cambridge], and Robert Pierrepont
[either the son of Col. Francis Pierrepont, M.P. (d.1659), or the third Earl of Kingston (1650/1-82), of Holme-Pierrepoint, Nottinghamshire, Oldham's patron]. Formerly Folger MS 621.1.
Described in F.P. Hammond, A Commonplace Book owned by John Oldham, N&Q, 224 (December 1979), 515-18.
Copy, headed A Sonnet
.
Edited from this MS by Sir John Simeon in Miscellanies of the Philobiblon Society, 3 (1856-7), No. 3, pp. 23-4.
A small octavo miscellany of 76 poems by Donne, together with a few poems by others dating up to 1627, in a single italic hand, occasionally marking the end of poems with one or more quatrefoils, 102 leaves (foliation jumping from 55 to 57), gilt-edged, in 19th-century dark green leather gilt.
Inscriptions including (f. 6r) Hannah Lewis Junr
; Thomas Turner his Book
(three times, ff. 8r, 14v, 48v, dated 1750
, 58
and 1760
); (f. 12r) Edmund Baxter att Mrs Nortons
; (ff. 20r, 59v) John Jones
; (f. 40r) Jon: Pryse 1729
; (f. 59v) Robt. Was
[?]; and (f. 79r) Edmund Baxter 1729
. Later owned by Edward Vernon Utterson (1776-1856), of Shanklin and Ryde, Isle of Wight, artist, literary antiquary and book collector. Sotheby's, 24 April 1852 (Utterson sale), lot 1317, sold to Lelly
. Then owned by Sir John Simeon, third Baronet (1815-70), M.P. Sotheby's, 3 March 1871 (Simeon sale), lot 638, to Pickering. Quaritch's sale catalogue No. 436 (1930), item 576. Formerly MS Nor 4620.
Cited in IELM, I.i (1980), as the Utterson MS
:
Copy, headed Sonnett. 12
.
A quarto verse miscellany of Scottish provenance, chiefly in a single cursive hand, written from both ends, including some shorthand, inscribed (f. 1r) Incept. March. 23. 1652/3.
, 190 leaves, in old brown calf gilt (rebacked).
Purchased c.1798.
Copy, in a musical setting.
This MS collated in Davis, p. 492.
A folio songbook, in a single secretary hand, some items misnumbered, 144 leaves.
Once owned by the Shirley family, Earls Ferrers, of Staunton Harold, Leicestershire. Also owned, and annotated, by Edward Francis Rimbault (1816-76), organist and author. Acquired in 1888.
Generally cited as the Earl Ferrers MS. Collated in Cutts, Drexel Manuscript 4041, Musica Disciplina, 18 (1964), 151-202. A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 9 (New York & London, 1987).
Copy, in a musical setting.
This MS collated in Davis, p. 492.
A folio music book, containing 327 songs, in three largely secretary hands, with a Cattalogue
of contents, 229 leaves.
Owned (in 1659) and partly compiled by the composer John Gamble (d.1687), with some misnumbering.
Later owned by Edward Francis Rimbault (1816-76), organist and author. Acquired in 1888.
A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 10 (New York & London, 1987). Discussed in Charles W. Hughes, John Gamble's Commonplace Book, M&L, 26 (1945), 215-29.
Copy, headed A scor'nd Bewty
.
An octavo verse miscellany, in a single predominantly italic hand, 152 leaves (paginated 1-34, thereafter foliated 35-169), plus index, in modern red leather.
Including 85 poems (and second copies of two) by Thomas Carew.
Inscriptions including Horatio Carey 1642 te deus pardamus
[viz. Horatio Carey (1619-ante 1677), eldest son of Sir Richard Carey (1583-1630) and great-grandson of Sir Henry Carey (1524?-96), first Baron Hunsdon ], Thomas Arding
, Thomas Arden
, William Harrington
, Thomas John
, John Anthehope
and Clement Poxall
. Later owned by Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 8270. Bookplates of John William Cole and of the Shakespearian Library of Marsden J. Perry (1850-1935), industrialist, banker, art and book collector, of Providence, Rhode Island. American Art Association, New York, 11-12 March 1936 (Perry sale). A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 194.
Cited in IELM, I.i (1980), as the Carey MS
:
Copy, untitled.
A folio formal verse miscellany, comprising c.406 poems, many of them song lyrics, in various neat hands, compiled probably over a period, 8 blank leaves (pp. [i-xvi]) + 10 unnumbered pages of poems (pp. [xvii-xxvi]) + 9 numbered pages (pp. 1-9) + ff. [9v]-151v + 12 leaves at the end blank but for a poem on the penultimate page (f. [11v]), in contemporary calf gilt.
Once erroneously associated with Thomas Killigrew (1612-83), whose hand does not appear in the volume.
Inscribed (f. [ir]) Sr Robert Killigrew / 1702
. Later in the library of Sir Thomas Phillipps, Bt (1792-1872), book and manuscript collector: Phillipps MS 9070. Sotheby's, 19 May 1897, lot 455.
Discussed, with a facsimile example, in Nancy Cutbirth, Thomas Killigrew's Commonplace Book?, Library Chronicle of the University of Texas at Austin, NS No. 13 (1980), 31-8.
Copy, headed Cant: 27
.
A quarto verse miscellany, 54 leaves, imperfect (chewed by rodents), lacking covers.
Compiled by Herbert Aston (1613-88/9), poet, son of Walter Aston, Baron Aston of Forfar (1584-1639), of Tixall, Staffordshire, diplomat.
Inscribed on f. iv Her: Aston [monogram] the 29 of July an: D: 1634
.
Copy.
A duodecimo verse miscellany, in several hands, showing communal use, 161 pages (plus blanks), in contemporary calf.
Formerly Chest II, No. 21.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. iii. Davis, p. 170.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 498.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in A Booke of Ayres (London, 1601), No. ii. Davis, pp. 20-1.
Copy, headed Old: Young
, in a quarto booklet of verse (ff. 136r-45v).
A large folio composite volume of verse, in various largely secretary hands, 327 leaves (plus blanks), in contemporary calf.
Collected, and partly written, by Elias Ashmole (1617-92), astrologer and antiquary.
Betagraph of the watermark in f. 29 in Ted-Larry Pebworth, Towards a Taxonomy of Watermarks, in Puzzles in Paper: Concepts in Historical Watermarks, ed. Daniel W. Mosser, Michael Saffle and Ernest W. Sullivan, II (London, 2000), pp. 229-42 (p. 239).
Copy of the first strophe, headed An old man to a yong Mris
.
An octavo verse miscellany compiled by an Oxford University man, i i + 37 leaves, in later half-calf.
Among the collections of Francis Douce (1757-1834), antiquary and collector.
Copy of the incipit only, in a musical setting, untitled.
A folio songbook, in probably two secretary and italic hands, 25 leaves, in a recycled contemporary vellum indenture within modern half red morocco.
Inscribed (f. 1v) John Shurlane His Booke
, and (f. 24v rev.) This Book Do[ ] / Hugh ffloyd / Domn: 11
, with dates 28 Nov. 1630
and 1633
. Purchased from Thomas Rodd, bookseller, 13 April 1844.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first strophe, in a musical setting, untitled.
This MS collated in Davis, p. 492.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the first strophe, in a musical setting, untitled.
This MS collated in Davis, p. 492.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy, headed Old wooing
.
A quarto verse miscellany, largely in a single mixed hand, with additions in other hands, associated with Oxford University, possibly Christ Church, 315 pages (plus blanks), in modern black morocco gilt.
Including 11 poems by Donne, and 15 poems (plus one of uncertain authorship) by Corbett.
Later owned by Edward Jeremiah Curteis, M.P., of Windmill Hill, Sussex. Puttick & Simpson's, 30 June 1884 (Curteis sale), lot 175, to Pearson of Pall Mall for James Orchard Halliwell-Phillipps (1820-89). Formerly Folger MS 452.5.
Cited in IELM, I.i (1980), and II.i (1987), as the Curteis MS
:
Copy, headed An oulde man to a yonge woman
.
A quarto miscellany of both bawdy and religious verse and some prose, in several hands, 94 leaves (including a number of blanks), in modern quarter-calf marbled boards.
Inscribed Charles Shuttleworth His Booke Anno 1691
. Peter Murray Hill, London, sale catalogue No. 82 (1962), item 33.
Copy, untitled.
A small quarto verse miscellany, almost entirely in a single, minute non-professional italic hand, probably someone associated with Oxford University, comprising 180 pages now all separated and mounted, interleaved, in 19th-century calf.
Later in the libraries (with bookplates) of the book collector Richard Heber (1774-1833); of the bibliographer and antiquary Joseph Haslewood (1769-1833); of the biographer and literary editor Alexander Chalmers (1759-1834); and of the antiquary Edward King (1795-1837), Viscount Kingsborough (his sale by Charles Sharpe in Dublin, 1 November 1842, lot 577).
Copy of the first couplet only, here beginning Though you be yonge & I be old
.
An octavo miscellany of English and Latin verse and prose, in a small secretary hand, 79 leaves (largely blank), disbound.
Copy, in a mixed hand, with a fifth stanza added in another mixed hand, untitled.
A quarto composite memorandum book of English, Welsh and latin verse and prose, in several hands, 100 leaves, in a contemporary limp vellum wrapper within modern half red morocco.
Compiled over a period, at least in part, by various members of the Lloyd family of Llwydiarth.
Inscriptions including (f. 3r) Mounta: Lloyd 1671
and (f. 49r) David Wms. his Book beeing Mrs Anne Lloyds Guift
, and with other references to David Lloyd, Elizabeth Lluyd, Robert Lluyd, Jane Lloyd, and Hugh Lloyd. Probably Quaritch's sale Catalogue of English Literature
(August-November 1884), item 22351. Formerly Sotheby MS B. 2.
Copy, headed An old man to a maide
.
An octavo verse miscellany, in a single small mixed hand throughout; 425 pages (plus an eight-page index), in contemporary calf.
Including 45 poems (and a second copy of one) by Carew, 11 poems (plus one of doubtful authorship) by Corbett, and 25 poems (plus two of doubtful authorship) by Strode.
The initials T. C.
stamped on the front cover. Sold by Thomas Thorpe (1836). Afterwards in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 9536, and by Marsden J. Perry (1850-1935), of Providence, Rhode Island, industrialist, banker, and art and books collector. A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 189.
Cited in IELM, II.i-ii (1987-93), as the Rosenbach MS II
:
Copy of the first four lines only, headed A Old Man to his Mrs
.
An octavo verse miscellany, of English and Welsh verse and prose, in probably several hands, the English verse (on pages 9-70, 93-104) including eleven poems by Strode and two of doubtful authorship, 110 pages (plus stubs of extracted leaves).
Compiled by members of the Griffith family, of Llanddyfnan, the verse probably entered by one or more of the various members of that family who studied in this period at the University of Oxford.
Cited in IELM, II.ii (1993), as the Griffith MS
:
First published in Robert Jones, A Musical Dreame (London, 1609). Campion, Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xvi. Davis, pp. 106-7. Doughtie, pp. 319-20.
Copy in a musical setting.
A folio music part book (2nd treble part), viii + 218 pages, in contemporary calf.
Compiled by Edward Lowe (c.1610-82), organist and composer.
Bookplate of Povert Henley.
Copy of the first line, in a musical setting.
This MS recorded in Davis, p. 495.
An octavo musical part book, for the counter-tenor, of the St Andrews Psalter (the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, with a series of secular songs added later (ff. 81v-93v) in a secretary hand, 93 leaves, in old blind-stamped calf.
For three other part books of this Psalter, see
Purchased from Mrs H.S. Andrews, 14 November 1890.
Copy, untitled.
This MS collated in Doughtie, pp. 573-5; recorded in Davis, p. 495.
A quarto verse miscellany, including 18 poems by Donne, in several hands over a period (the predominant secretary hand on ff. 1r-35v, 45v-63r), written from both ends, 91 leaves, in later green morocco.
Inscribed (f. 1r) E Libris Richardo Glovero pharmacopol. Londinense pertinantibus
, the date 1638
possibly added in a different hand. The name William Allen
on f. 77v among scribbling. Inscribed (f. 1v) by a later owner, apparently for Mr Thorpe
, I was informed by the bookseller of whom I bought this book; that it belonged formerly to a literary gentleman who lived in Burton Crescent and who died about six months ago. 3rd Augt. 1835
.
Cited in IELM, I.i (1980), as the Glover MS
:
Copy of the first strophe, in a musical setting.
This MS collated in Davis, p. 495, and in Doughtie, pp. 573-5.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy of strophes I and III, in a musical setting, untitled.
This MS collated in Davis, p. 495.
A folio songbook (First Treble part), in a single hand, written from both ends, viii + 213 pages (paginated 1-191, then 1-22 rev.), lacking pp. 87-8, 115-18, the first two of which are now
Compiled entirely by Edward Lowe (c.1610-82), organist and composer.
Later owned by Edward Francis Rimbault (1816-76), organist and author.
Discussed in John P. Cutts, Seventeenth-Century Songs and Lyrics in Edinburgh University Library Music MS. Dc. 1. 69, MD, 13 (1959), 169-94. A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 8 (New York & London, 1987).
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 495.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting by Robert Jones.
This MS collated in Davis, p. 495, and in Doughtie, pp. 573-5.
A folio songbook, largely in a single secretary hand, with poems and (reversed) culinary and medical receipts in later hands at the end, imperfect or incomplete, now 27 leaves, lacking half the songs listed in a Table
at the end.
The original cover inscribed Ann Twice her booke
. Inscribed on the first page My Cosen Twice Leftte this Booke with me...which is to be returne to her AGhaine...
. Later owned by Edward Francis Rimbault (1816-76), organist and author.
A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987). Discussed in John P. Cutts, Songs Vnto the Violl and Lute
—Drexel Ms. 4175, Musica Disciplina, 16 (1962), 73-92.
Copy, in a musical setting.
MS transcript of the first printed edition (Aberdeen, 1662) of John Forbes, Cantus, Songs and Fancies.
In the Atholl Collection of Music, assembled by Lady Dorothea Stewart-Murray (1866-1937), daughter of John Stewart-Murray (1840-1917), seventh Duke of Atholl. Formerly in the Sandeman Library, Perth.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
Copies in a musical setting by John Wilson, untitled.
This MS collated in Doughtie, pp. 573-5.
Three oblong quarto music part books (4/a, 4/b, and 4/c), 103, 93, and 75 leaves (including numerous blanks) respectively, in contemporary calf gilt.
Principally in a single hand, a second hand responsible for 4/b, ff. 17v-24v, and for 4/c, ff. 5r-12v; the collection largely copies of vocal trios that would appear in John Wilson's Cheereful Ayres (Oxford, 1660).
In a collection of MS music books associated with the Filmer family, baronets, of Kent, members of whom included the political philosopher Sir Robert Filmer (1588-1653), his brother Edward (d.1650, compiler of French Court Aires, 1628) and son Sir Edward (d.1668), and the playwright Edward Filmer (fl.1700).
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xviii. Davis, p. 154.
Copy of a version in sonnet form.
Printed from this MS in Davis, p. 476.
A quarto verse miscellany, in an accomplished mixed hand throughout, with headings or incipts in engrossed lettering, 194 leaves, in 19th-century half-morocco.
This MS volume discussed in Katherine K. Gottschalk, Discoveries concerning British Library MS Harley 6910, MP, 77 (1979-80), 121-31.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 497.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xxii. Davis, p. 159.
Copy, in a musical setting.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xx. Davis, p. 188.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 500.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. i. Davis, p. 85.
Copy of the first line, in a musical setting.
This MS recorded in Davis, p. 494.
An octavo musical part book, for the counter-tenor, of the St Andrews Psalter (the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, with a series of secular songs added later (ff. 81v-93v) in a secretary hand, 93 leaves, in old blind-stamped calf.
For three other part books of this Psalter, see
Purchased from Mrs H.S. Andrews, 14 November 1890.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 494.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
Edited from this MS in Diem (1919), p. 78. Collated in Davis, p. 494.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. iii. Davis, p. 137.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 496.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book III, No. xiv. Davis, p. 149.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 497.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, in a musical setting, untitled.
Edited from this MS in Diem (1919), p. 84. Collated in Davis, p. 497.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in A Booke of Ayres (London, 1601), No. xx. Davis, p. 46.
Copy.
This MS recorded in David Lindley, Campion and Rosseter: The Ascription of A Booke of Ayres, N&Q, 228 (October 1983), 416.
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
First published in A Booke of Ayres (London, 1601), No. vi. Davis, pp. 28-9.
Copy, headed On Corinna singing
.
A folio verse miscellany, ii + 65 leaves, in contemporary vellum.
Entitled Miscentur seria iocis. 1647. Elegies, Exequies, Epitaphs, Epigrams, Songs Satires and other Poems, a formal compilation entirely in the hand of the Yorkshire antiquary John Hopkinson (1610-80).
From the library of Cecil Brent, FSA. Sold by P.J. & A.E. Dobell, January 1938.
Copy of lines 1-2, 5-6, headed Of Corrina her Lute
.
This MS recorded in Davis, p. 492.
An octavo verse miscellany, in a single neat predominantly italic hand, 72 leaves, in old leather.
Probably compiled by one H.S.
, a Cambridge man.
Later owned by the Rev. Philip Bliss (1787-1857), antiquary and book collector, with his bookplate and inscription 1806 Purchased of Lansdown of Bristol
. Bliss sale, 21 August 1858, lot 192.
Copy, untitled, here beginning When to her lute my Mistres singes
.
A quarto verse miscellany, in a Scottish secretary hand, paginated 5-132, bound with a later verse MS on 98 pages, in brown calf.
Bookplate of John Pinkerton (1758-1826), historian and poet. Sotheby's, April 1812 (Pinkerton sale), lot 593, to Richard Heber (1774-1833), book collector. Sotheby's, 1836 (Heber sale, Part XI), lot 1104, to Thomas Thorpe. His catalogue, 1836, bought by Laing.
Copy, headed Sympathy
and here beginning When to her lute Althea sings
.
A verse miscellany, much of it in shorthand, almost entirely closely written in a small cursive mixed hand, written from both ends, in contemporary calf with initials E H
in gilt.
16°, 87 leaves (plus two paste-downs); miscellany, including portions of some 42 identifiable English poems by Crashaw, many of the lines here re-arranged in a garbled fashion; compiled by a Cambridge man, possibly a member of Christ's College; probably in a single hand throughout, with variations of style, written from both ends, about thirty pages in shorthand.
Later owned by Edward Hailstone (1818-90) of Walton Hall, near Wakefield, botanist and book collector. Sotheby's 23 April 1891 (Hailstone sale), probably lot 439, to Dobell). Bertram Dobell's sale catalogue No. 103 (June 1902), item 373. Formerly Folger MS 267.1.
Cited in IELM, I.ii, as the Hailstone MS:
First published in Two Bookes of Ayres (London, [c.1612-13]), Book I, No. iii. Davis, p. 61.
Copy, in a musical setting, untitled.
A small oblong quarto songbook, in probably several hands, 18 leaves, in paper wrappers, disbound.
A wrapper inscribed For George Chalmers Esq.
: i.e. given probably to George Chalmers, FSA, FRS (1742-1825), antiquary and political writer.
Copy of the first line only, in a musical setting, untitled.
This MS recorded in Davis, p. 49
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy in a musical setting.
Edited from this MS in Diem (1919), p. 85. Collated in Davis, p. 496.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xxi. Davis, p. 112.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in Alfonso Ferrabosco, Ayres (London, 1609). Campion, The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. ix. Davis, p. 177. Doughtie, p. 295.
Copy in the hand of Elias Ashmole, untitled.
A large folio composite volume of verse, in various largely secretary hands, 327 leaves (plus blanks), in contemporary calf.
Collected, and partly written, by Elias Ashmole (1617-92), astrologer and antiquary.
Betagraph of the watermark in f. 29 in Ted-Larry Pebworth, Towards a Taxonomy of Watermarks, in Puzzles in Paper: Concepts in Historical Watermarks, ed. Daniel W. Mosser, Michael Saffle and Ernest W. Sullivan, II (London, 2000), pp. 229-42 (p. 239).
Two copies, one inverted, of the first strophe, in a musical setting by Nicholas Lanier, for cantus and bassus parts, untitled.
This MS recorded in Davis, p. 499.
A folio songbook, in two or more predominantly italic hands, written from both ends, 87 leaves, in remains of contemporary vellum within modern half red morocco.
Possibly compiled in part by one T. C.
Inscribed (f. 1v) R. Guise [of Abbey] Feb: 12. 1760
. Purchased from Thomas Thorpe, bookseller, 17 June 1839.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 4 (New York & London, 1986).
Copy of the first strophe, in a musical setting by Alfonso Ferrabosco, untitled.
This MS recorded in Davis, p. 499, and in Doughtie, p. 564.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, headed A Songe
and here beginning Young and tender though I am
.
This MS collated in Doughtie, pp. 565-6.
A quarto verse miscellany, largely in a single professional hand, with later additions on ff. 58v-62v in three or four other hands, 65 leaves, in modern half crushed morocco gilt.
Compiled by one Thomas Crosse, whose name appears (f. 1*) in An Acrosticke upon my name
, as well as subscribed (Tho: Cro:)
to a poem on ff. 23v-4r.
Copy, headed A Sonnet
.
A quarto verse miscellany, including 33 poems by Thomas Carew and sixteen by Henry King, in a single small hand, with (ff. 1r-2v) an alphabetical Index, 105 leaves, in modern half-morocco gilt.
Compiled by Peter Calfe (1610-67), son of a Dutch merchant in London.
Later owned by John, Baron Somers (1651-1716), Lord Chancellor, and afterwards by Edward Harley (1689-1741), second Earl of Oxford.
Cited in IELM II.i-ii (1987-93), together with Calfe MS
:
Copy of a six-stanza version, untitled.
Furnivall, pp. 5-6.
An octavo verse miscellany, chiefly (ff. 1r-14r) in a single small mixed hand, i + 15 leaves, the eighth and last item in a composite volume of otherwise printed amatory poems and pamphlets, in 19th-century quarter brown calf.
The volume inscribed (on flyleaves) E Bedford
, W Monteagle
, Fra: Goodwin
, Edw nedwarde
.
The MS poems here edited in Frederick J. Furnivall, Love-Poems and Humourous Ones, The Ballad Society (Hertford, 1874; reprinted New York, 1977).
Copy, in a musical setting by Alfonso Ferrabosco, untitled.
This MS collated in Davis, p. 499.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy of the first line only, in a musical setting by Alfonso Ferrabosco, untitled.
This MS recorded in Davis, p. 499.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy, headed A Maydes deliberation
, with four additional strophes.
This MS collated in Doughtie, pp. 565-7.
A quarto verse miscellany, in a single neat secretary hand, probably associated with Oxford and afterwards with the Inns of Court, 73 leaves (plus a few blanks and a modern index).
Including 40 poems by Strode and two poems of doubtful authorship.
Later in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 9510. (Phillipps sale, lot 1015.) Owned c.1903 by Bertram Dobell (1842-1914). Percy Dobell's sale catalogue No. 68 (1941), item 342. Formerly MS 4201. 27. 1.
Cited in IELM, II.ii (1993), as the Dobell MS II
:
Copy, untitled.
A quarto verse miscellany, in several hands, a neat mixed hand predominating up to f. 55r, 151 leaves (including a few blanks), in contemporary calf.
Inscribed (in another hand) on the front pastedown Thomas Boydell
. Formerly Folger MS 4108.
Copies, in a musical setting by Nicholas Lanier.
A set of four oblong duodecimo music part books, (i) Cantus Primus, (ii) Cantus Secundus, (iii) Bassus and (iv) Basso Continuo, each written from both ends, compiled by John Playford (1623-86?), 50, 36, 48, and 35 leaves respectively, each volume in limp vellum lettered I. P.
.
Leaves excised from these volumes are in the
A flyleaf in the Cantus Secundus part book inscribed Decemb. 30. 1674. Note that I Thomas Clifford bought this sett of Musick Books of Mr Richard Price's widow Mrs Dorothy Price for --7s--6d
.
Copy, untitled.
An octavo verse miscellany, predominantly in two very small hands (A: ff. 1r-44v; B: ff. 44v-87v), with further verse and prose pieces in other hands on ff. 88r-121r, written from both ends, associated with Oxford, possibly New College, and probably afterwards with the Inns of Court, 155 leaves (including 33 blanks), in modern black morocco elaborately gilt.
Including 23 poems by Strode (and second copies of two poems) and one poem of doubtful authorship.
Including (ff. 98r-100r) a letter by one Pet[er] Wood
. Inscribed (ff. 90r-1r), Thease verses I borroed to write out of John Sherly [d. 1666] a booke seller in litle Brittaine, 28th of March 1633
. Later in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 9235. Sotheby's, 21 February 1938, lot 243.
Cited in IELM II.ii (1993), as the Wood MS
:
Copy, headed A maides delibertion and resolucion
.
A folio verse miscellany, including 26 poems (plus two of doubtful authorship) by Thomas Carew and poems by Henry King, in several hands, 92 leaves, plus an inserted gathering of eleven leaves after f. 82v (ff. [82a-82k]), but including stubs of some extracted leaves (ff. 74-8, 94-5), in contemporary vellum.
Inscribed To my euer honored good Cosen Sr John Reresby Barronett these prsent
: i.e. presented to Sir John Reresby, first Baronet (1611-46), royalist, of Thribergh Hall.
Among the muniments of Lord Mexborough, descended from the Savile family formerly of Methley Hall, near Pontefract, West Yorkshire. Formerly MX 237.
Cited in IELM, II.i (1987), as the Mexborough MS
:
Copy of a six-strophe version, in a musical setting, untitled.
Edited from this MS in Diem (1919), pp. 80-1. Collated and the sixth strophe edited in Davis, p. 499.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy, in a musical setting.
Facsimile and transcription of this MS in Reading Early Modern Women, ed. Helen Ostovich and Elizabeth Sauer (New York & London, 2004), pp. 482-3.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
Copy, headed A maydes Deliberation
, with four additional strophes.
This MS collated in Doughtie, pp. 565-7.
A quarto verse miscellany, in a single neat secretary hand, 204 pages, in old calf.
Including ten poems by Carew (and two of doubtful authorship) and 24 poems by Randolph.
Thomas Thorpe, Catalogue of upwards of fourteen hundred manuscripts (1836), item 1030. Later in the library of Sir Thomas Phillipps (1792-1872), manuscript and book collector: Phillipps MS 9282. Subsequently in the Shakespearian Library of Marsden J. Perry (1850-1935), industrialist, banker, and art and book collector, of Providence, Rhode Island. American Art Association, New York, 11-12 March 1936 (Perry sale). A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 188.
Cited in IELM, II.ii (1993), as the Rosenbach MS I
:
Copy of a 48 line version headed A Maydes deliberate Resolucon
and here beginning Although I'me younge, yet not so ignorant am I…
.
This MS recorded in Doughtie, f. 565.
An octavo verse miscellany, in a single predominantly italic hand, 152 leaves (paginated 1-34, thereafter foliated 35-169), plus index, in modern red leather.
Including 85 poems (and second copies of two) by Thomas Carew.
Inscriptions including Horatio Carey 1642 te deus pardamus
[viz. Horatio Carey (1619-ante 1677), eldest son of Sir Richard Carey (1583-1630) and great-grandson of Sir Henry Carey (1524?-96), first Baron Hunsdon ], Thomas Arding
, Thomas Arden
, William Harrington
, Thomas John
, John Anthehope
and Clement Poxall
. Later owned by Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 8270. Bookplates of John William Cole and of the Shakespearian Library of Marsden J. Perry (1850-1935), industrialist, banker, art and book collector, of Providence, Rhode Island. American Art Association, New York, 11-12 March 1936 (Perry sale). A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 194.
Cited in IELM, I.i (1980), as the Carey MS
:
Copy, untitled.
A folio formal verse miscellany, comprising c.406 poems, many of them song lyrics, in various neat hands, compiled probably over a period, 8 blank leaves (pp. [i-xvi]) + 10 unnumbered pages of poems (pp. [xvii-xxvi]) + 9 numbered pages (pp. 1-9) + ff. [9v]-151v + 12 leaves at the end blank but for a poem on the penultimate page (f. [11v]), in contemporary calf gilt.
Once erroneously associated with Thomas Killigrew (1612-83), whose hand does not appear in the volume.
Inscribed (f. [ir]) Sr Robert Killigrew / 1702
. Later in the library of Sir Thomas Phillipps, Bt (1792-1872), book and manuscript collector: Phillipps MS 9070. Sotheby's, 19 May 1897, lot 455.
Discussed, with a facsimile example, in Nancy Cutbirth, Thomas Killigrew's Commonplace Book?, Library Chronicle of the University of Texas at Austin, NS No. 13 (1980), 31-8.
Copy in a musical setting.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
Copy, untitled.
A folio formal verse miscellany, in a single rounded hand, 259 pages (plus a three-page index), in modern boards.
The contents, the latest of which (on pp. 203-7) can be dated to a marriage that took place in November 1656, reflect the taste of Interregnum Royalist sympathisers.
Formerly in the library of Sir Thomas Phillipps, Bt (1792-1872), manuscript and book collector: Phillipps MS 4001. Sotheby's, 29 June 1946, lot 164, to Myers. Then in the library of Charles Kay Ogden (1889-1957), psychologist, linguist, and book collector.
(2) English Songs and Poems of Doubtful Authorship
First published in A Booke of Ayres (London, 1601), Part II, No. ii. Davis, p. 451.
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy, in an italic hand, untitled.
This MS collated in Davis, p. 506.
A folio volume of historical collections, largely in a single small hand, with an Index (ff. 2r-5v), 178 leaves, in leather gilt.
Compiled by the antiquary St Loe Kniveton, of Gray's Inn.
According to two long notes (ff. 6r, 178v) by Peter Le Neve (1661-1729), herald and antiquary, identifying the hand as Kniveton's, the MS was after possest by the Lord Chaworth [i.e. George Chaworth (d.1639), first Viscount Chaworth] who gaue this & severall other books to Doctor Thoreton of Carcolston in the County of Nottingham whose grandson Robert Sherard gave this & 8o others
in Kniveton's handwriting to Le Neve, 21 March 1712.
Copy, headed Song
.
A quarto verse miscellany, in a Scottish secretary hand, paginated 5-132, bound with a later verse MS on 98 pages, in brown calf.
Bookplate of John Pinkerton (1758-1826), historian and poet. Sotheby's, April 1812 (Pinkerton sale), lot 593, to Richard Heber (1774-1833), book collector. Sotheby's, 1836 (Heber sale, Part XI), lot 1104, to Thomas Thorpe. His catalogue, 1836, bought by Laing.
First published in More Lyrics from the Song-Books of the Elizabethan Age, ed. A.H. Bullen (London, 1888), pp. 6-7. Davis, p. 478.
Copy of the first strophe, in a musical setting, untitled.
This MS collated in Davis, p. 508.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, in a musical setting, untitled.
A narrow oblong octavo songbook, the lyrics in a neat italic hand, ii + 37 leaves (plus blanks), in contemporary vellum within 19th-century morocco.
Inscribed (f. 1r) Robius Downes
. Bookplates of Joseph Haslewood (1769-1833), bibliographer and antiquary, and of William Hayman Cummings (1831-1915), singer and musical antiquary. Notes in 1841 (f. 2r) by Joseph Warren (1804-81), composer and music editor. Sotheby's, 9 June 1917 (Cummings sale), lot 1586, to Maggs.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, in a musical setting.
Edited from this MS in Davis.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
First published in Vivian (1909), p. 356. Davis, p. 479.
Copy, untitled, imperfect.
A folio composite volume of verse and some prose, in various hands, v + 179 leaves, in early 18th-century half-calf.
With a few additions in Rawlinson's hand.
Copy, in a musical setting, untitled.
Printed from this MS in Vivian and in Davis.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, transcribed from fol. 20 of the original songbook.
Copy of Sonnettes &c.
, in the hand of John Leyden (1775-1811), linguist and poet, made for Richard Heber (1774-1833), book collector, on eight quarto leaves.
Transcribed from an earlier musical partbook for the Cantus voice bearing a preface signed Jo. Hiltoun
(fl. c.1627-30) which in 1800 was in the possession of Mr. Russell, Grandson of Dr Robertson, late Principal of Edinburgh College
[i.e. William Robertson (1721-93), historian].
Copy, headed In Sabinam
.
A quarto formal verse miscellany, in a single neat secretary and italic hand throughout, paginated 1-162 (but lacking some leaves), in modern limp vellum.
Compiled by John Cruso (fl.1595-1655), poet and military writer, who matriculated at Gonville and Caius College, Cambridge, in 1632.
Names inscribed lengthways down margins (pp. 71, 91, 95) including Cuthbert Sewell Esq
, Jos. Nicholson
, Wm Richardson
, and Somers
. Donated in 1922 by Gordon Wordsworth who claims that the volume was once owned by the poet William Wordsworth.
First published in George Mason & John Earsden, The Ayres That Were Sung and Played, at Brougham Castle in Westmerland, in the Kings Entertainment (London, 1618). Davis, p. 467.
Copy, headed Aeneas & Dido
.
This MS collated in Davis, p. 507.
A long narrow ledger-like volume (c.40 x 15 cm) of ballads and metrical romances, in a single predominantly secretary hand, 268 leaves, all mounted on guards, in modern half-morocco.
Later owned by Thomas Percy (1768-1808), Bishop of Dromore, writer and literary editor, and bearing copious annotations in his hand throughout, with a list by him at the end dated 20 December 1757.
This volume edited as Bishop Percy's Folio Manuscript, ed. John W. Hales and Frederick J. Furnivall, 4 vols (London, 1867-8). Re-edited by I. Gollancz, 4 vols (London, 1905-10). Facsimile example of f. 94r in Hilton Kelliher and Sally Brown, English Literary Manuscripts (British Library, 1986), No. 20, p. 31. Discussed, with five facsimile examples, in Joseph Donatelli, The Percy Folio Manuscript: A Seventeenth-Century Context for Medieval Poetry, EMS, 4 (1993), 114-33.
Copy, headed The song of Dido sung to k. James whe he was at Broome castle in Westmrland
.
A quarto verse miscellany, almost entirely in a single cursive secretary hand, with a later title-page supplied in 1832, x + 116 leaves (plus blanks), in 19th-century black leather elaborately gilt.
Inscribed (f. 1r), possibly by the compiler, Richardus Jackson 1623
and Richard Jackson his booke
, who is described in a later pencil note as perhaps the brachygrapher. On ff. 113v-16r, in a later hand, is a Catalogue of ye Books lately belonging to ye. Rev. Mr Jackson Rectr of Tatham
.
Also inscribed (f. 1r) John Pecke
. Sold by Thomas Thorpe, bookseller, in 1831-2. Among collections of James Orchard Halliwell (from 1872 Halliwell-Phillipps) (1820-89), literary scholar and book collector. Bought by him in 1871 from Sotheran's, London.
A 247-page transcript of this volume made c.1830 is in the Folger Shakespeare Library, MS M.b.26.
Copy, untitled, transcribed from fol. 22 of the original songbook.
Copy of Sonnettes &c.
, in the hand of John Leyden (1775-1811), linguist and poet, made for Richard Heber (1774-1833), book collector, on eight quarto leaves.
Transcribed from an earlier musical partbook for the Cantus voice bearing a preface signed Jo. Hiltoun
(fl. c.1627-30) which in 1800 was in the possession of Mr. Russell, Grandson of Dr Robertson, late Principal of Edinburgh College
[i.e. William Robertson (1721-93), historian].
Copy, headed Dido
, here beginning Dido was a Carthage queene
.
A quarto verse miscellany, in a Scottish secretary hand, paginated 5-132, bound with a later verse MS on 98 pages, in brown calf.
Bookplate of John Pinkerton (1758-1826), historian and poet. Sotheby's, April 1812 (Pinkerton sale), lot 593, to Richard Heber (1774-1833), book collector. Sotheby's, 1836 (Heber sale, Part XI), lot 1104, to Thomas Thorpe. His catalogue, 1836, bought by Laing.
Copy, headed Counsell, not for men to bee constant, a Songe
.
An oblong quarto verse miscellany, in a single neat hand, written with the volume tilted with the spine to the top, 167 pages (plus blanks), in elaborately tooled green morocco gilt.
Including ten poems by Carew and twelve poems by Strode (and two poems of doubtful authorship).
The initials M W
stamped on each cover: i.e. M[aidstone] and W[inchilsea]. Evidently compiled by or for Sir Thomas Finch, Viscount Maidstone and Earl of Winchilsea (who succeeded to the peerage in 1633 and died in 1634). A.S.W. Rosenbach's sale catalogue English Poetry to 1700 (1941), item 190.
The MS came to Rosenbach with a printed exemplum of William Wishcart, An Exposition of the Lord's Prayer (London, 1633), and the two clearly share the same provenance. The printed volume is similarly bound, with the initials M W
; it is inscribed Lord Winchilsea for Mr Locker 1634
; it bears the late 17th-century signatures of Stephen Locker and Alexander Campbell, and the bookplates of Captain William Locker (1731-1800) and Edward Hawke Locker (1777-1849).
Cited in IELM, II.i-ii (1987-93), as the Winchelsea MS
:
Copy.
A folio verse miscellany, containing 89 poems, including 43 by Donne, in several hands (ff. 21r-62r in a single accomplished secretary hand), 69 leaves, in paper wrappers.
The text of the poems by Donne derived from the same source as the Lansdowne MS (
Formerly among the muniments of the Earl of Dalhousie (descendant of the Maule and Ramsay families), of Brechin Castle, on deposit in the Scottish Record Office [now National Archives of Scotland] (GD45/26/95/1). Sotheby's, 20 July 1981, lot 490.
Cited in IELM, I.i (1980), as the the Dalhousie MS I
: And, having done that, Thou hast done
: Locating, Acquiring, and Studying the Dalhousie Manuscripts, in The Donne Dalhousie Discovery: Proceedings of a Symposium on the Acquisition and Study of the John Donne and Joseph Conrad Collections at Texas Tech University, ed. Ernest W. Sullivan II and David J. Murrah (Lubbock, TX, 1987), pp. 1-10; and in The Renaissance Manuscript Verse Miscellany: Private Party, Private Text, in New Ways of Looking at Old Texts, ed. W. Speed Hill (Binghamton, 1993), pp. 289-97.
Facsimiles of f. 15v in DLB, vol. 121, Seventeenth-Century British Nondramatic Poets, First Series, ed. M. Thomas Hester (Detroit, 1992), p. 13, and of f. 42r in Sotheby's sale catalogue and in Peter Beal, A Dictionary of English Manuscript Terminology 1450-2000 (Oxford, 2008), p. 431, Illus. 91. A complete microfilm of the MS is in the National Archives of Scotland.
Sullivan suggests that the miscellany derives from sources preserved by members of the Earl of Essex's circle, their most likely conduit
to the Dalhousie family being John Ramsay (1580-1626), Viscount Haddington and Earl of Holderness.
See
See
First published in Robert Jones, Ultimum Vale (London, 1605). Davis, p. 477. Doughtie, pp. 205-6.
Copy, in a musical setting, inscribed Cantus & Bassus
, untitled.
This MS collated in Doughtie, p. 527.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of the incipit only, in a musical setting, untitled.
These MSS recorded in Davis, p. 508.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy of the incipit with a musical setting.
An oblong quarto musical part book, for the Treble voice, the song incipits chiefly in a rounded italic hand, with (ff. 2v-4r) an index, 53 leaves, in 19th-century black calf.
Inscribed (f. 1r), in a secretary hand, Sr William Maur
: i.e. Sir William Mure, Bt (d.1639), of Rawallan, Ayrshire, or else his son of that name (1594-1657), writer and politician; (f. 1r) Robert Muire ist my hand
; and (f. 2r), in later red ink, Thomas Lyle Surgeon
.
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 508.
An oblong quarto book of mainly vocal music, the lyrics in several largely secretary hands, one predominating, 90 pages (including blanks), in contemporary brown calf, both covers stamped in gilt I S
.
Inscribed several times John Squyer
, probably the compiler.
Also inscribed (p. 1) Ane Cattologue of books 1700
, and (p. 25) Joanne Squier
. Owned by David Laing in June 1855.
Copy, in a musical setting, untitled.
Edited from this MS in Diem (1919), p. 75. Collated in Davis, p. 508, and in Doughtie, p. 527.
An oblong quarto songbook, the lyrics in two or more secretary and italic hands, iv + 43 leaves, in modern quarter-calf.
Inscribed (f. 31r) MAY 1639
and Williane Stirling
. A long note (f. iir) in the hand of John Leyden (1775-1811), linguist and poet, dated 5 March 1800, recording his purchase of the MS in 1788 from the library of the Rev. Mr Cranstow, minister of Ancrum; his lending it to Alexander Campbell in 1795 and retrieving it in December 1799; and his now consigning it to Richard Heber (1774-1833), book collector.
A complete facsimile of this volume is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 11 (New York & London, 1987).
Copy, in a musical setting, untitled.
A small oblong quarto songbook, in probably several hands, 18 leaves, in paper wrappers, disbound.
A wrapper inscribed For George Chalmers Esq.
: i.e. given probably to George Chalmers, FSA, FRS (1742-1825), antiquary and political writer.
Copy, in a musical setting, untitled.
An oblong quarto songbook, the lyrics in a single secretary hand, 30 leaves (including blanks), in contemporary vellum gilt, with modern ties.
Inscribed inside the front cover Ro Carre of Ferniehurst (1669)
, later fourth Lord Jedburgh. Initials L. A. K.
stamped on the cover possibly denoting his wife, Lady Ann Ker.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
First published in Vivian (1909), p. 356. Davis, p. 475.
Copy.
Edited from this MS in Vivian and in Davis.
A quarto verse miscellany, in an accomplished mixed hand throughout, with headings or incipts in engrossed lettering, 194 leaves, in 19th-century half-morocco.
This MS volume discussed in Katherine K. Gottschalk, Discoveries concerning British Library MS Harley 6910, MP, 77 (1979-80), 121-31.
Copy, headed in the margin Satyre
.
A quarto verse miscellany, in one or more secretary hands, with (ff. 244r-54r) a first-line index, 254 leaves, in modern half-morocco, poems on ff. 34v and 242v dated 1637.
Including 91 poems and some prose works by John Donne and fourteen poems by Thomas Carew.
Among the collections of Richard Temple-Nugent-Brydges-Chandos-Grenville (1776-1839), first Duke of Buckingham and Chandos, of Stowe House, near Buckingham, largely derived from the collection of the antiquary Thomas Astle (1735-1803), which in turn chiefly derived from Astle's father-in-law, the Essex historian Philip Morant (1700-70) (see
Cited in IELM, I.i (1980) and II.i (1987), as Stowe MS II
: Stowe MS
:
Copy, headed A Sonnet
.
A quarto formal verse miscellany, in a single neat secretary and italic hand throughout, paginated 1-162 (but lacking some leaves), in modern limp vellum.
Compiled by John Cruso (fl.1595-1655), poet and military writer, who matriculated at Gonville and Caius College, Cambridge, in 1632.
Names inscribed lengthways down margins (pp. 71, 91, 95) including Cuthbert Sewell Esq
, Jos. Nicholson
, Wm Richardson
, and Somers
. Donated in 1922 by Gordon Wordsworth who claims that the volume was once owned by the poet William Wordsworth.
First published in The Works of Dr. Thomas Campion, ed. A. H. Bullen (London, 1889), p. 405. Davis, p. 481.
Copy, in a miscellany.
Owned in 1889 by the Duke of Buccleuch, Drumlanrig Castle, Dumfriesshire.
Edited from this MS in Bullen.
First published in A Booke of Ayres (London, 1601), Part II, No. x. Davis, pp. 455-6.
Copy of a five-strophe version, in a musical setting.
This MS collated and the fourth and fifth strophes edited in Davis, p. 506.
A folio music book, containing 327 songs, in three largely secretary hands, with a Cattalogue
of contents, 229 leaves.
Owned (in 1659) and partly compiled by the composer John Gamble (d.1687), with some misnumbering.
Later owned by Edward Francis Rimbault (1816-76), organist and author. Acquired in 1888.
A complete facsimile is in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 10 (New York & London, 1987). Discussed in Charles W. Hughes, John Gamble's Commonplace Book, M&L, 26 (1945), 215-29.
Copy.
Music book compiled by Lady Margaret Wemyss, daughter of David, second Earl of Wemyss (1610-79), in contemporary vellum.
First published in A Booke of Ayres (London, 1601), Part II. Davis, p. 451.
Copy, here ascribed to Philip Rosseter
.
This MS discussed in David Lindley, Campion and Rosseter: The Ascription of A Booke of Ayres, N&Q, 228 (October 1983), 416.
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
First published in Gesta Grayorum (London, 1688). Edited by W. W. Greg, Malone Society (Oxford, 1914). Davis, p. 475.
Copy, in an italic hand, headed The song at ye ending
, at the end of a copy (on ff. 138r-45r) of Francis Davison's Masque of Proteus. Late 16th-early 17th century.
Edited from this MS in Davis and in Greg, p. xxi. Discussed in Greg, pp. vii-viii.
A quarto composite volume of tracts, in various hands, 232 leaves, in modern half calf gilt.
Owned, at least in part, by Sir Simonds D'Ewes.
First published in A Booke of Ayres (London, 1601), Part II, No. i. Davis, p. 450.
Copy of the first strophe, in a musical setting.
This MS collated in Davis, p. 506.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
See
See
See
Possibly first published as a late 16th-century broadside. Philotus (Edinburgh, 1603). Richard Alison, An Howres Recreation in Musicke (London, 1606). Davis, p. 473. The different versions and attributions discussed in A.E.H. Swaen, The Authorship of What if a Day, and its Various Versions, MP, 4 (1906-7), 397-422, and in David Greer, What if a Day — An Examination of the Words and Music, M&L, 43 (1962), 304-19.
See also
Copy of the first line, with a musical setting by one R: Cr.
(? R. Creighton).
This MS recorded in Greer, p. 309.
A virginal book.
Compiled by one R: Cr.
(Robert Creighton).
Copy of a three-strophe version, headed A Songe
.
A quarto miscellany of verse and prose, in English and Latin, 64 leaves, in contemporary limp vellum.
Compiled by Leweston Fitzjames (1574-1638), of Leweston, Dorset, and the Middle Temple.
Copy of a three-strophe version, headed The fickle estate of our vncartayn lyfe to A pleasant new tune
.
This MS recorded in Greer, p. 305.
A quarto miscellany of verse and prose, in English and Latin, in more than one hand, written from both ends, in vellum boards.
Copy of a two-strophe version.
Edited from this MS in Greer, p. 305.
A quarto verse miscellany, in a single hand, 114 leaves, bound with a printed exemplum of Thomas Watson's <GREEK> or Passionate Centurie of Love (London, [1581?]).
Compiled by John Lilliat (c.1550-c.1599).
This MS volume printed in full, with facsimile examples, in Liber Lilliati: Elizabethan Verse and Song (Bodleian MS Rawlinson Poetry 148), ed. Edward Doughtie (Newark, DE, 1985).
Copy of a three-strophe version, in the secretary hand of Richard Wigley, untitled.
Edited from this MS in Swaen, pp. 408-9.
A folio miscellany and memorandum book, in several secretary hands, one predominating, 214 leaves, in modern half-morocco.
Compiled by Henry Wigley (fl.1600), of Middleton, Lancashire, and Richard Wigley (1591-1643), of Wigwall.
Copy of a two-strophe version, in a musical setting, untitled.
Edited from this MS in Peter Warlock, Giles Earle his Booke (London, 1932), p. 34, and in Swaen, pp. 404-5. Recorded in Greer, p. 308.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of an eight-strophe version, in a musical setting, here beginning Goe silly note to ye eares of my deare
.
Edited from this MS in Peter Warlock, op. cit., pp. 89-92. Recorded in Greer, p. 308.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy of a two-strophe version, in a musical setting.
Edited from this MS in Swaen, pp. 400-1. Recorded in Greer, pp. 306, 316.
An octavo musical part book, for the counter-tenor, of the St Andrews Psalter (the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, with a series of secular songs added later (ff. 81v-93v) in a secretary hand, 93 leaves, in old blind-stamped calf.
For three other part books of this Psalter, see
Purchased from Mrs H.S. Andrews, 14 November 1890.
Copy of an eight-strophe version, in a secretary hand, untitled, on two pages of a pair of conjugate folio leaves, once folded as a letter.
A folio composite volume of state, literary and family papers and speeches, in various hands and paper sizes, 93 leaves, mounted on guards, in modern half red morocco.
Papers principally of the Boteler family, of Biddenham, Bedfordshire, and of the family of John Hampden, MP (1595-1643), politician, of Great Hampden, Buckinghamshire.
Volume DLXXXIII of the Blenheim Papers, papers principally of John Churchill (1650-1722), first Duke of Marlborough, army commander and politician, his wife Sarah (née Jenyns) (1660-1744), and the related Spencer and Trevor families.
Copy, in a musical setting.
This MS recorded in Greer, p. 307.
A folio lute book compiled by one Jane Pickering.
Inscribed on the flyleaf by the compiler Jane Pickering owe this Booke, 1616
and her unitials I. P.
stamped on covers.
Copy, here beginning What yf a day or a night, or an hower
.
Edited from this MS in Swaen, pp. 401-2.
A folio diary and notebook, in several hands, from 1560 to 1610, 411 leaves, in modern half crushed morocco on cloth boards gilt.
Compiled by John Sanderson, a merchant at Constantinople.
Copy, untitled and here beginning What if a day or a night or a yeare
.
An octavo notebook of extracts, chiefly verse, compiled by one or two University of Cambridge men, 69 leaves (plus numerous blanks), in contemporary calf.
Copy of the first line, here What is a day or a night or an hower
, in a musical setting.
Edited from this MS in Greer, pp. 306-7.
A long quarto MS music book, 35 leaves of music, each doubled.
Copy, here beginning Quhat giff a day or a nyt or a yeir
.
Edited from this MS text in Swaen, pp. 403-4.
A folio volume comprising two MSS bound together, the first (iii + 323 leaves) a 15th-century MS of John Lydgate's Destruction of Troy, the second (v + 82 leaves, including blanks) a verse miscellany in various hands, in modern quarter-calf on marbled boards.
The volume owned and possibly partly compiled by Sir James Murray, of Tibbermure, or by someone in his household, dated at the end anno 1612 ye 24 of Maij
.
Inscriptions including Marie Moorray wt my hand
,Kathrin Morton with my hand
, and Capitane James Lyell
.
Copy of the first strophe, in a musical setting, untitled.
This MS recorded in Greer, p. 309.
A folio volume of largely vocal music, mainly in a single secretary hand, 120 pages, in mottled calf.
Complete facsimile in Jorgens, VI (1987).
Copy, in a musical setting.
A quarto songbook, in a secretary and italic hand, 193 leaves (including ten blanks).
Compiled by Robert Taitt, schoolmaster and precenter in the Church of Lauder, Berwickshire.
Later in the library of Charles Kay Ogden (1889-1957), psychologist, linguist and book collector. Formerly T 135Z. B724 1677-89 Bound.
Discussed in Walter H. Rubsamen, Scottish and English Music in the Renaissance in a Newly-Discovered Manuscript, Festschrift Heinrich Besseler (Leipzig, 1961), 259-84.
Copy of the incipit, with a musical setting for the viol da Gamba, in the hand of A.J. Wighton.
Transcript, made by A.J. Wighton (d.c.1884), of a transcript (then belonging to James Davie of Aberdeen) of the original Blaikie MS
, a music book dated [Glasgow] 1692.
Owned in the early 19th century by Andrew Blaikie, engraver in Paisley. Bequeathed c.1884 by A.J. Wighton.
This MS recorded in Nelly Diem, Beiträge zur Geschichte der Schottischen Musik im XVII Jahrhundert (Zürich & Leipzig, 1919), pp. 27-8. The original Blaikie MS is untraced. Another transcript of the Blaikie MS, made by Alfred Moffat, was item 436 in an unidentified sale catalogue (c.1940s).
Copy, untitled.
A quarto verse miscellany, in a Scottish secretary hand, paginated 5-132, bound with a later verse MS on 98 pages, in brown calf.
Bookplate of John Pinkerton (1758-1826), historian and poet. Sotheby's, April 1812 (Pinkerton sale), lot 593, to Richard Heber (1774-1833), book collector. Sotheby's, 1836 (Heber sale, Part XI), lot 1104, to Thomas Thorpe. His catalogue, 1836, bought by Laing.
Copies, in a musical setting, the lyrics in secretary script, untitled.
Three small quarto musical part books of the St Andrews Psalter
(the Scottish Metrical Psalter of 1566 etc. by Thomas Wode, afterwards Vicar of St Andrews), copied c.1575-8, in formal angular roman hands, with rubrication and colour decoration, and with a series of secular songs added later in secretary and italic hands at the end, comprising (i) Treble part: iv + 214 pages (including blanks; (ii) Tenor part: iv + 200 pages; and (iii) Bassus part: 214 pages, all in 19th-century black morocco (iii incorporating an original vellum board).
For a fourth (Counter-tenor) part book of this Psalter, see
Copy of a five-strophe version, in a musical setting, untitled.
This MS collated in Davis, p. 507.
An oblong quarto book of mainly vocal music, the lyrics in several largely secretary hands, one predominating, 90 pages (including blanks), in contemporary brown calf, both covers stamped in gilt I S
.
Inscribed several times John Squyer
, probably the compiler.
Also inscribed (p. 1) Ane Cattologue of books 1700
, and (p. 25) Joanne Squier
. Owned by David Laing in June 1855.
Copy, untitled.
This MS collated in Curt F. Bühler, Four Elizabethan Poems, Joseph Quincy Adams Memorial Studies, ed. James G. McManaway, Giles E. Dawson, and Edwin E. Willoughby (Washington, DC, 1948), 695-706 (p. 705).
A quarto verse miscellany, largely in a single mixed hand, with additions in other hands, associated with Oxford University, possibly Christ Church, 315 pages (plus blanks), in modern black morocco gilt.
Including 11 poems by Donne, and 15 poems (plus one of uncertain authorship) by Corbett.
Later owned by Edward Jeremiah Curteis, M.P., of Windmill Hill, Sussex. Puttick & Simpson's, 30 June 1884 (Curteis sale), lot 175, to Pearson of Pall Mall for James Orchard Halliwell-Phillipps (1820-89). Formerly Folger MS 452.5.
Cited in IELM, I.i (1980), and II.i (1987), as the Curteis MS
:
Copy, untitled, here beginning What if a day or a weeke or a year
.
A quarto miscellany of both bawdy and religious verse and some prose, in several hands, 94 leaves (including a number of blanks), in modern quarter-calf marbled boards.
Inscribed Charles Shuttleworth His Booke Anno 1691
. Peter Murray Hill, London, sale catalogue No. 82 (1962), item 33.
Copy of the incipit only, in a musical setting.
Edited from this MS in William Dauney, Ancient Scotish Melodies (Edinburgh, 1838), p. 246. Recorded in Greer, p. 307.
An oblong octavo book of chiefly vocal music, the lyrics mostly in a single italic hand, 252 pages (including blanks), in 19th-century calf gilt.
Inscribed, possibly by the compiler, (p. 1) Magister Johannes Skine
(in a semi-court hand) and (p. 189) Mr Joannes Skeine His book
: i.e. John Skene of Hallyards. Bequeathed in 1818 by Miss Elizabeth Skene of Curriehill and Hallyards.
Copy of the first strophe, in a musical setting, untitled.
An oblong quarto songbook, the lyrics in a single secretary hand, 30 leaves (including blanks), in contemporary vellum gilt, with modern ties.
Inscribed inside the front cover Ro Carre of Ferniehurst (1669)
, later fourth Lord Jedburgh. Initials L. A. K.
stamped on the cover possibly denoting his wife, Lady Ann Ker.
Copy of the incipit only, here Quhat if a day
, in a musical setting, untitled.
A quarto book of vocal music, the lyrics largely in a single secretary hand, varying in size, 79 leaves, in modern dark green morocco.
Inscribed (f. 45r) REdwards book
: i.e. compiled by Robert Edwards (1616-96), minister of Murroes Parish, though originally belonging to his father, Alexander, merchant of Dundee.
Owned in 1687 by Robert Edward's son Alexander (1651-1708). Panmure No. 11 among the Panmure Music Books gathered mainly by Lady Jean Campbell, second Countess of Panmure, and her sons James Maule, fourth Earl of Panmure, and Harie Maule. Subsequently preserved by their descendants, Earls of Dalhousie.
Copy of the incipit only, here What if a day
, in a musical setting, untitled.
A quarto book of vocal music, the lyrics largely in a single secretary hand, varying in size, 79 leaves, in modern dark green morocco.
Inscribed (f. 45r) REdwards book
: i.e. compiled by Robert Edwards (1616-96), minister of Murroes Parish, though originally belonging to his father, Alexander, merchant of Dundee.
Owned in 1687 by Robert Edward's son Alexander (1651-1708). Panmure No. 11 among the Panmure Music Books gathered mainly by Lady Jean Campbell, second Countess of Panmure, and her sons James Maule, fourth Earl of Panmure, and Harie Maule. Subsequently preserved by their descendants, Earls of Dalhousie.
Copy of a two-strophe version, untitled, headed in a later hand in red ink On the Brevity of Humane Happyness
and here beginning What if a daie, or an night, or an hower
, among other verse in one secretary hand on a single folio leaf.
Edited from this MS in Curt F. Bühler, Four Elizabethan Poems, in Joseph Quincy Adams Memorial Studies, ed. James G. McManaway, Giles E. Dawson, and Edwin E. Willoughby (Washington, DC, 1948), p. 705.
A collection of separate state papers and poems, in folders.
Copy, headed A Sonnett
.
This MS collated in Bühler, p. 705.
A quarto verse miscellany, including fifteen poems by Donne, with a title-page Miscellanies Or A Collection of Diuers Witty and pleasant Epigrams, Adages, poems Epitaphes &c for the recreation of ye ouertravelled sences: 1630 Robert Bishop
, in a single mixed hand, probably associated with the University of Oxford, 306 pages, in old calf.
Owned and probably compiled by Robert Bishop. Later owned by Sir Thomas Phillipps (1792-1872), manuscript and book collector: Phillipps MS 9549. A.S.W. Rosenbach's sale catalogue, English Poetry to 1700 (1941), item 187.
Cited in IELM, I.i (1980) as the Bishop MS
:
Copy, in a musical setting.
MS transcript of the first printed edition (Aberdeen, 1662) of John Forbes, Cantus, Songs and Fancies.
In the Atholl Collection of Music, assembled by Lady Dorothea Stewart-Murray (1866-1937), daughter of John Stewart-Murray (1840-1917), seventh Duke of Atholl. Formerly in the Sandeman Library, Perth.
Copy of five strophes, imperfect, lacking a leaf with the title and first strophe, here therefore begininning What yf a smile, or a becke, or a looke
.
Clark, No. LIX (pp. 238-40). Recorded in Greer, p. 311.
A small quarto volume of 80 English ballads and songs, in probably two variable secretary hands, transcribed from edited black-letter broadsides, iii + 162 leaves, originally foliated 98-257, imperfect, lacking the original first 97 leaves, in 19th-century half-calf gilt.
This volume edited in full in The Shirburn Ballads, ed. Andrew Clark (Oxford, 1907), with facsimile examples opposite pp. 236, 246 and 272.
Inscribed (f. 59r) Edwarde Hull
, possibly the main scribe of the MS. Also variously inscribed Thomas Sturgies is the right Oner of this booke
and the names of Edward Sturgis, Thomas Manton, Richard Manton, Richard Halford, William Halford, Dorothy Halford, William Wagstaffe and Thomas Wagstaffe. Later in the library of the Parker family, Earls of Macclesfield, at Shirburn Castle, Oxfordshire. Acquired 30 March 2007.
Copy, in a musical setting, untitled.
A quarto musical part book, in several neat secretary and italic hands, with some initial-letter decoration, headed (f. 5r) This is the fyrst Buke addit to the four psalme Bukkes, for songis of four or fyue partis, meit and apt for musitians, to recreat...
, with (ff. 2r-4r) a table of contents, 63 leaves, in old blind-stamped calf.
One of the part books of the St Andrews Psalter.
Copy of a four-strophe version.
A duodecimo verse miscellany, including (ff. 12r-43r) 63 sonnets by Henry Constable, 117 leaves, in brown morocco.
Later owned by a Mr Brackman, of Kent. Given by Alderman Bristow, bookseller of Canterbury, to a Mr Todd on 19 November 1800. Afterwards owned by Alexander Dyce (1798-1869), literary scholar and editor.
Cited by editors as the Todd MS.
Copy, headed Sonnetto
, on the last page of a pair of conjugate oblong octavo leaves.
First published in A Booke of Ayres (London, 1601), Part II, No. xviii. Davis, p. 459.
See also
Copy, in a musical setting, untitled.
This MS collated in Davis, p. 506.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
Copy, untitled, transcribed from fol. 6 of the original songbook.
Copy of Sonnettes &c.
, in the hand of John Leyden (1775-1811), linguist and poet, made for Richard Heber (1774-1833), book collector, on eight quarto leaves.
Transcribed from an earlier musical partbook for the Cantus voice bearing a preface signed Jo. Hiltoun
(fl. c.1627-30) which in 1800 was in the possession of Mr. Russell, Grandson of Dr Robertson, late Principal of Edinburgh College
[i.e. William Robertson (1721-93), historian].
Copy of the incipit only, here What is a day
, in a musical setting, untitled.
An oblong quarto musical part book, for the Treble voice, the song incipits chiefly in a rounded italic hand, with (ff. 2v-4r) an index, 53 leaves, in 19th-century black calf.
Inscribed (f. 1r), in a secretary hand, Sr William Maur
: i.e. Sir William Mure, Bt (d.1639), of Rawallan, Ayrshire, or else his son of that name (1594-1657), writer and politician; (f. 1r) Robert Muire ist my hand
; and (f. 2r), in later red ink, Thomas Lyle Surgeon
.
First published in A Booke of Ayres (London, 1601), Part II, No. xx. Davis, p. 460.
Copy, in a musical setting, untitled.
The text corrected from this MS in Davis.
An oblong quarto songbook, the lyrics largely in a single italic hand, with (ff. 4v-5r) a table of contents, 84 leaves, in 19th-century red morocco gilt.
Inscribed (f. 3v), evidently by the compiler, Giles Earle his booke 1615
(with other notes dated 1610) and (f. 1v) Egidius Earle hunc librum possidet qui compactus fuit mense Septembris. 1626.
, f. 81r subscribed Anno Dni: 1623 / Mense Augusti: Finis
.
Acquired from Joseph Lilly, bookseller, 17 May 1862.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 1 (New York & London, 1986).
First published in A Booke of Ayres (London, 1601), Part II, No. ix. Davis, p. 455.
Copy, here ascribed to Philip Rosseter
.
This MS discussed in David Lindley, Campion and Rosseter: The Ascription of A Booke of Ayres, N&Q, 228 (October 1983), 416
A folio composite miscellany compiled entirely by William Drummond of Hawthornden, including (ff. 165r-6v, 246r-7v) copies of, or brief extracts from, nineteen poems by Donne, 300 leaves, in 19th-century calf gilt.
Among the collections of William Drummond of Hawthornden: Hawthornden Vol. VIII.
Cited in IELM, I.i (1980), as the Drummond Miscellany:
First published in A Booke of Ayres (London, 1601), Part II. Davis, p. 481. John P. Cutts, Mris Elizabeth Davenant 1624: Christ Church MS. Mus. 87, RES, NS 10 (1959), 26-37 (p. 30).
Copy, in a musical setting.
Edited from this MS in Cutts and in Davis, p. 481.
MS songbook.
Owned and probably compiled by Elizabeth Davenant (sister of Sir William Davenant), of Oxford.
Complete facsimile of this MS volume in Jorgens, VII (1987). Discussed in John P. Cutts, Mris Elizabeth Davenant 1624: Christ Church MS. Mus. 87, RES, NS 10 (1959), 26-37.
First published in A Booke of Ayres (London, 1601), Part II, No. xxi. Davis, p. 461.
Copy, untitled.
A folio verse miscellany, comprising nearly 250 poems, in five hands, vii + 135 leaves (with a modern index), in contemporary calf gilt (rebacked), with remains of clasps.
Including 16 poems (plus second copies of two) by Carew, 19 poems by or attributed to Herrick (and second copies of six of them), 23 poems (plus second copies of two and four of doubtful authorship) by Randolph, 18 poems (plus two of doubtful authorship) by Strode, and eleven poems by Waller.
Inscribed on a flyleaf Peeter Daniell
and his initials stamped on both covers. Later scribbling including the names Thomas Gardinor
, James Leigh
and Pettrus Romell
. Owned in 1780 by one A. B.
when it was given to Thomas Percy (1768-1808), later Bishop of Dromore. Sotheby's, 29 April 1884 (Percy sale), lot 1. Acquired from Quaritch, 1957.
Cited in IELM, II.i-ii (1987-93), as the Daniell MS
:
Copy, untitled.
An octavo verse miscellany, compiled by the writer Robert Codrington (1602-65) of Magdalen College, Oxford, 360 pages (including stubs of extracted leaves on pp. 297-328 and blanks, plus index), in contemporary calf.
Including 16 poems by Carew and 13 poems (plus one of doubtful authorship) by Strode. Written in three hands: i.e. A (Codrington's hand, including his own poems) on pp. 1-283, 349-55; B on pp. 284-9; and C on pp. 289-348, 356-60; dated (pp. 1-22) Anno Dom: 1638
and The 30th of May. 1638
.
Acquired from Blackwell's, 1962.
Cited in IELM, II.i-ii (1987-93), as the Codrington MS
:
Copy of the first strophe, in a musical setting, untitled.
This MS recorded in Davis, p. 507.
An oblong quarto book of mainly vocal music, the lyrics in several largely secretary hands, one predominating, 90 pages (including blanks), in contemporary brown calf, both covers stamped in gilt I S
.
Inscribed several times John Squyer
, probably the compiler.
Also inscribed (p. 1) Ane Cattologue of books 1700
, and (p. 25) Joanne Squier
. Owned by David Laing in June 1855.
(3) Latin Poems by Campion
First published as Thomas Campion: De Puluerea (On the Gunpowder Plot), ed. David Lindley, with translation and additional notes by Robin Sowerby, Leeds Texts and Monograph Series, NS 10 (Leeds Studies in English, 1987).
Copy of a Latin poem of Thomae Campiani Londinatis, D: Med:
on the Gunpowder Plot, comprising two books of about 680 lines and 560 lines respectively (each with an Argumentum), with a dedicatory poem Ad augustissimu, serenissimu Jacobum magnae Britanniae regem
(beginning Querna corona Joui datur olim, Laurea Phoebo
) and five preliminary epigrams on the Jesuits, in a probably professional hand, revisions possibly in another hand written on numerous pasted-on slips, vi + 29 leaves.
This MS recorded in IELM, I.i (1980), p. 189. Edited from this MS in Lindley & Sowerby.
Dramatic works
See
See
First published as The Discription of a Maske...in honour of the Lord Hayes (London, 1607). Davis, pp. 203-30. Also published, with illustrations of costume designs [?], in Stephen Orgel and Roy Strong, Inigo Jones: The Theatre of the Stuart Court, 2 vols (University of California Press, 1973), I, 115-20.
Copy of some of the songs in the masque, beginning with Flora's songe
(Now hath Flora rob'd her bowres
), in a neat secretary hand, untitled, on three pages of two pairs of conjugate folio leaves, endorsed Verses of the Maske 1606
, once folded as a packet.
Recorded in HMC, 9 Salisbury (Cecil) MSS, XIX (1965), p. 2.
First published together with A Relation of the Late Royall Entertainment given By The Right Honorable The Lord Knowles (London, 1613). Davis, pp. 249-62 (p. 257). Also edited, with illustrations of costume designs [?], in Stephen Orgel and Roy Strong, Inigo Jones: The Theatre of the Stuart Court, 2 vols (University of California Press, 1973), I, 240-52.
Copy in a musical setting.
A folio volume of songs, madrigals and motets, 48 leaves, the leaves now mounted with other MSS (1015-1019) in a double-folio guardbook.
Formerly at St Michael's College, Tenbury Wells.
A complete facsimile of this volume in English Song 1600-1675, ed. Elise Bickford Jorgens, Vol. 6 (New York & London, 1987).
Documents
Official deposition, signed by Campion, relating to the alleged implication of Sir Thomas Monson in the murder of Sir Thomas Overbury, dated 26 October 1615.
Facsimile in Vivian (frontispiece).