A printed exemplum of Crashaw's Steps to the Temple, 2nd edition (London, 1648), incorporating a section of printer's proof-sheets, pp. 75-96 of Part I being printed on one side of the paper only, the blank versos filled with contemporary MS copies of other poems and extracts and with MS. Poems mostly in the same hand written on several other l[eaves]
, including (according to Grosart) on the blanks from p. 75 to p. 77…18 numbered Epigrams which would seem to belong to Crashaw, though not assigned to him
, also (on blanks of pp. 78-84) a series of epigrams by Thomas Fuller, with other epigrams
(according to Hazlitt) in a different hand
and including several of an amatory cast
; the volume signed and possibly compiled by Dudley Posthumus Lovelace, brother of the poet Richard Lovelace.
Mid-17th century?.
Owned c.1862-5 by William Carew Hazlitt (1834-1913), bibliographer and writer, and from c.1868 by Henry Hucks Gibbs (1819-1907), first Lord Aldenham. Sotheby's, 3 May 1937 (Aldenham sale), lot 553, to Dobell.
Recorded in IELM as CrR Δ 8. Discussed in Lucasta. The Poems of Richard Lovelace, Esq., ed. W. Carew Hazlitt (London, 1864), p. 42; in W. Carew Hazlitt, Thomas Fuller's Unpublished Epigrams, N & Q, 3rd Ser. 7 (6 May 1865), 352-3; in The Poems and Translations in Verse…of Thomas Fuller D.D., ed. Alexander B. Grosart (privately printed, 1868), pp. 8, 219-20; and in John Eglinton Bailey, The Life of Thomas Fuller, D.D. (London, 1874), pp. 132-3. Hazlitt notes: At the close of the volume occurs, with considerable appearance of having been written by the same person, who has composed or transcribed other pieces, the autograph of Dudley Lovelace, who has written his name a second time with an eye to a little jeu de mots, thus: Dudley Lovelasse, and this gentleman has apparently…copied out portions of his brother's Lucasta upon some of the spare leaves…On the recto of p. 96 there are four verses from Lucasta with the signature of Richarde Lovelace
. Grosart adds a few details of the extracts from Lucasta which occur on the verso of the title-page and two following pages, noting that This portion is partly in short-hand characters, and differs, I think, from the Epigram hand-writing
, also mentioning that the predominant handwriting is somewhat intricate and difficult
. Bailey notes: The handwriting is much abbreviated, but bears a certain similarity to Fuller's in his later years
. Grosart made no reference to this volume in his later edition of Crashaw (1872-88). The presence of the epigrams by Fuller, as also perhaps the use of shorthand, suggests a possible connection with the Hailstone MS (Folger, MS V.a.148).