Yale Music Library

CmT 139: Thomas Campion, Though your strangenesse frets my hart

Copies in a musical setting by John Wilson, untitled.

This MS collated in Doughtie, pp. 573-5.

First published in Robert Jones, A Musical Dreame (London, 1609). Campion, Two Bookes of Ayres (London, [c.1612-13]), Book II, No. xvi. Davis, pp. 106-7. Doughtie, pp. 319-20.

B&F 173: Francis Beaumont and John Fletcher, Valentinian, II, v, 4-23. Song ('Now the lustry spring is seen')

Copies in a musical setting by John Wilson, untitled.

First published in Comedies and Tragedies (London, 1647). Dyce, V, 207-316 (p. 243). Bullen, IV, 207-321, ed. R.G. Martin (pp. 247-8). Bowers, IV, 276-380, ed. Robert K. Turner (pp. 307-8). The musical setting first published in John Wilson, Cheerfull Ayres (Oxford, 1659).

B&F 72: Francis Beaumont and John Fletcher, Love's Cure, III, ii, 118-225. Song ('Turn, turn thy beauteous face away')

Copies in a musical setting by John Wilson, untitled.

First published in Comedies and Tragedies (London, 1647). Dyce, IX, 105-95 (p. 149). Bowers, III, 12-93, ed. George Walton Williams (p. 48). This setting first published in John Wilson, Cheerfull Ayres (Oxford, 1659).

ShW 94.5: William Shakespeare, The Tempest, I, ii, 400-9. Song ('Full fathom five thy father lies')

Copies in a musical setting by Robert Johnson (as edited by John Wilson), untitled.

ShW 103.8: William Shakespeare, The Tempest, V, i, 88-94. Song ('Where the bee sucks, there suck I')

Copies in a musical setting by Robert Johnson (as edited by John Wilson), untitled.

B&F 55: Francis Beaumont and John Fletcher, The Faithful Shepherdess, III, i, 429-36. Song ('Do not feare to put thy feete')

Copies in a musical setting by John Wilson, untitled.

Bowers, III, 545. This setting first published in John Wilson, Select Ayres and Dialogues (London, 1659).

B&F 39: Francis Beaumont and John Fletcher, The Captain, IV, iv, 85-104. Song ('Come hither you that love, and heare me sing')

Copies in a musical setting by Robert Johnson (as edited by John Wilson), untitled.

Bowers, I, 624-5.

B&F 9: Francis Beaumont and John Fletcher, Beggars' Bush, II, i, 143-64. Song ('Cast our Caps and cares away!')

Copies in a musical setting by John Wilson, untitled and here beginning Cast your Capps and cares away.

Bowers, III, 264-5. This setting first published in John Wilson, Cheerfull Ayres (Oxford, 1659).

StW 1036: William Strode, A Sonnet ('My Love and I for kisses played')

Copies in a musical setting by John Wilson, untitled.

First published in A Banquet of Jests (London, 1633). Dobell, p. 47. Forey, p. 211. The poem also discussed in C.F. Main, Notes on some Poems attributed to William Strode, PQ, 34 (1955), 444-8 (p. 446-7).

LoR 47: Richard Lovelace, To Althea, From Prison. Song ('When Love with unconfined wings')

Copies in a musical setting by John Wilson, untitled and here beginning Where Love with vnconfined wings, the full lyrics appearing in 4/c.

First published in Lucasta (London, 1649). Wilkinson (1925), II, 70-1. (1930), pp. 78-9. Thomas Clayton, Some Versions, Texts, and Readings of To Althea, from Prison, PBSA, 68 (1974), 225-35. A musical setting by John Wilson published in Select Ayres and Dialogues (London, 1659).

B&F 102: Francis Beaumont and John Fletcher, The Mad Lover, V, i, 13-24. Song ('Oh, fair sweet goddess, queen of loves')

Copies of a version, untitled and here beginning O divinest God of Loue, in a musical setting by John Wilson.

Dyce, VI, 194. Bullen, III, 198-9. Bowers, V, 79-80.

EtG 84.5: Sir George Etherege, Sylvia ('The nymph that undoes me is fair and unkind')

Copy, in a musical setting.

First published in A Collection of Poems, Written upon several Occasions (London, 1672). Thorpe, p. 26.